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[Comments] (1) Dilbert Minus Dilbert: I've had this idea for a little while, based on Garfield Minus Garfield, and today I did three examples with my nearly-nonexistent GIMP skills. Comedy gold!

Garfield never uses changes of scene (or even perspective, I think), where Dilbert often changes the scene in the second or third panel. Garfield has a small cast of characters; Dilbert has a large cast. So a DMD comic can just be an art-film-esque sequence of closeups and disturbing statements.

In stock Garfield we see Garfield's thought balloons as he remarks on the activities of the other characters (some scientists have speculated that these remarks are jokes). But the other characters don't see his thought bubbles and so can't respond. Garfield lives in a hell where he can never make himself be understood. This is why in GMG we see Jon talking to himself; he's already talking to himself in stock Garfield.

But people talk to each other in Dilbert all the time; it's just that they always talk past each other. Remove Dilbert from a Dilbert cartoon and in one sense you've got people who are having half a conversation with an imaginary person. But you're not missing much because Dilbert is the only one who really engages with what the other person is saying, and he's gone.

My personal favorite:

Update: Karen in Wichita provides prior art.


Comments:

Posted by Karen in Wichita at Sat Apr 05 2008 22:38

Garfield does change colors, though:

http://www.dougshaw.com/garfield.html

And Googling "Dilbert minus Dilbert" turns up a couple of things, including someone else having done the 3/17 comic. I have to admit, the 3/15 comic he did first works amusingly too...



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