News You Can Bruise for 2017 August 3

Thu Aug 03 2017 21:16 July Film Roundup: July's always a good month for movies, in quality if not quantity. This July, News You Can Bruise Presents Film Roundup is proud to present... wait, what was I saying?

The Big Sick (2017): Sumana's a big Kumail Nanjiani fan so we couldn't miss this pretty fun rom-com...? My romcometer isn't finely calibrated but this seems more towards the "rom-dram" region than most. On the plus side, that means not as much "awkward" humor (of which I'm not a fan) as I feared. I think cutting has a lot to do with it. As I recall, in this movie Nanjiani would have an awkward moment with (e.g.) a family member but they'd mercifully cut to something else, even if just another shot of the same scene. Proving, once and for all, that you don't have to let it linger.
In Transit (2015): A soothing documentary about being on a train. Filmed up north where (according to the movie) Amtrak is the primary form of public transit. Lots of guys in their early twenties working in the fracking boom, trying to figure their lives out.
Lincoln (2012): This movie has its cheesy Spielberg moments but it makes the minutiae of politics super compelling, as they should be presented. I dislike the ending. Totally unnecessary. But I understand that if Daniel Day-Lewis plays Lincoln and doesn't do the Second Inaugural, a lot of people are going to want their money back. So I take it in stride.
A Man For All Seasons (1966): Sumana and I enjoyed this tale of a civil servant who carries "If you can't say anything nice..." to the extreme. Is there a lesson in here for our time? Unfortunately, as a 501(3)(c) registered nonprofit, Film Roundup cannot take a stand on the relevance of a work of art to any partisan issue. But if you put together the first letter of every review this month, you'll find my answer. Psst, while they're piecing together the first letters, check this out: RELEVANT.
Becket (1964): The last gasp of old-timey boring Hollywood spectacle. So many long, ponderous dialogue-free scenes with trumpets tooting away while someone walks up some stairs in the distance. Four years later, the same actor's playing the same character, and it's squalid and grimy and close-up with a deliberate lack of grandeur. Skip this one and move right to...
The Lion in Winter (1968): Here we go, late-sixties Hollywood. They're still adapting plays rather than having Robert de Niro improvise for ninety minutes, but they're tackling "adult" topics and it's super Freudian. I saw this film in high school (like, in class) for some reason and I don't think it's boasting to say that I now understand it on a much deeper level. Lots of creepy scenes where O'Toole is interacting with people not as a human being but as the State personified. Katharine Hepburn is brassy as always. "They don't call her Hep-BURN for nothing!"—The Sumana Daily Herald
The Taking of Pelham One Two Three (1974): Apparently all movies whose titles end in "One Two Three" are awesome. I'll have to test this hypothesis using this Armenian film. Anyway, this is great stuff. Constant tension without constant violence, 70s New York stereotypes, cranky Walter Matthau, subway system behind-the-scenes... it's crime-and-grime cinema gold! It didn't hurt that I saw this at Film Forum on a sweaty July afternoon with a bunch of New Yorkers who'd gotten there on the subway. Lots of camaraderie in the theater, lots of laughs at hyper-specific New York in-jokes.
Across 110th Street (1972): My high hopes for this film were not met. The first scene had me primed for a power struggle between the black mob and the Italian mob, but instead the two mobs teamed up to take out some small-timers, in an act of serious overkill. There are also some cops I didn't really care about. The small-timers were believably down-on-their-luck. I rate the "grime" in this one highly, and the "crime"... lowly.
The Spy Who Came In From The Cold (1965): I'd read the book a long time ago, but in the interim I got The Spy Who Came In From The Cold mixed up with another le Carré novel, so I was confused and accidentally found it suspenseful. Good intrigue, not as much out-and-out spycraft as I like to see in these movies. I'd been expecting more, but it turns out I'd gotten this movie mixed up with the Alec Guinness version of Tinker, Tailor, Soldier, Spy. Is there no end to this hall of mirrors???

Today the Television Spotlight announces the entrance of anime favorite Yuri!!! On Ice (2016). After Steven Universe took its turn in the Spotlight last month, I was 100% down for more queer animation, but I'd forgotten about a little thing called "reversion to the mean". Yuri!!! On Ice is more on the level of the restaurant that doesn't punch you in the face. I did not have a good time watching slight variants on figure skating routines I'd seen two or three times previously in earlier episodes. Gimme a brittle caste-based alien monoculture any day.