Fri Sep 01 2017 18:49 August Television Roundup:
Yes, here is is, the monthly accounting of all the television I watch. I sure do watch a lot of television.
- Comrade Detective (2017): The smart parts of this faux-80s Romanian cop show are not smart enough and the stupid parts are... well, they're fine. A valiant effort, but this would have been a lot better if they'd had the Romanians write the first treatment.
- Mystery Science Theater 3000: The Return (2017): Does a great job of recapturing the original show, by which I mean the Joel show. It's laid-back, more often enjoying the cheesiness of the movie than ripping into it. That is, it's clearly on the Cinematic Titanic branch of the phylogenetic tree as opposed to the RiffTrax branch. I'd actually rate these riffs higher than the Joel-era riffs. There was a lot of Baby Boomer nostalgia in the old shows, and most of the new show's riffs take the present day as their jumping-off point.
No real problems, but I frequently got confused who was talking in the theater because the voices are kind of similar. Thank goodness for closed captions!
I'd like to see some fan discussion about the little weird things they show you and don't really remark upon. Who is the alternate host you see on screen for like a second? What's the significance of the spacewalk, given the other thing that happens in that episode? I guess the disadvantage of releasing the whole season at once is the Internet doesn't have time to obsess over the little details you've carefully snuck in. Steven Universe is taking this to the unhealthy other extreme, I think.
Full disclosure: I backed the Kickstarter so my name is in the credits with thousands of others. I'm the only "Leonard"!
- The Great British Baking Show (2013????-2015????): I don't even know which seasons of this show we watched. PBS renamed the show and renumbered the seasons, and the IMDB episode guide just says "Pie", "Cake", "Biscuits" over and over for each year. Anyway, I've never watched a reality show before, and I wouldn't have watched this one except I was promised there's no yelling and the contestants are all nice to each other. And it's great! Really soothes my nerves after a long day of whatever I do all day.
My fave: contestants who use idiosyncratic slang like "get a wiggle on".
- Angels In America (2003): We're in the middle of this one so no review yet, but a) it's really heavy, b) the Mormon stuff is extremely inaccurate, c) it looks like Meryl Streep is going to play a different character in every episode and I'm not sure what that does, dramatically speaking.
Tune in next month, when we'll have the new Twin Peaks, maybe?
Oh yeah, I almost forgot. Every month, Television Roundup presents the Film Spotlight, a listing of the films I saw that month. Of course, films, with their 98-minute running times, cannot compete with the many hours of entertainment that television provides. After all, one of your puny Earth "films" is but a single episode of MST3K. Nevertheless, we honor these bite-sized morsels of entertainment below.
- Trafic (1971): I'm glad that at the 2000 Academy Awards this film finally got the recognition it deserved. It's a goofy ride, doesn't drag like Playtime sometimes does, but also never feels like it's saying something Important.
- The Enchanted Desna (1964): a.k.a. "Zacharovannaya Desna". Lots of really beautiful photography and the kind of episodic, slow-moving plot that lulls me to sleep. Some nice Tom Sawyer bits in the flashback. There was some audience tittering at the Commie propaganda at the end, but I'm stunned by the scale of it and still trying to figure out what it was saying. That's a lot of concrete, comrade. We're damming up the river you grew up on? And that's a good thing? I'm overwhelmed by man's totally non-hubristic ambition! Maybe I should ask my doctor if communism is right for me. It's a weird mix of "I had to put this in" and "I'm being ironic" and "I really believe this" and "I'm a filmmaker from a different culture from Leonard and I use emotional cues differently".
- Cherry 2000 (1987): I went into this movie knowing nothing except it was by the director of Miracle Mile, and it seemed kinda sleazy. And... both of these are true. It's got the beautiful 80s L.A. aesthetic of Miracle Mile, science fictionified into little oases of yuppie or suburbanite heaven, surrounded by very drivable desert. Tons of cool eyeball kicks, especially in the first thirty minutes.
It's also sleazy, and meta-sleazy in how comfortable it is in its sleaziness. The relationship between human and sexbot could have been done a lot better. In fact, I think I did it better, in Constellation Games. Making Cherry into a real character could have made Cherry 2000 really good. When she's a toaster, the movie is real predictable.
In Miracle Mile you think you know what kind of movie you're watching, and then you are WRONG. That jolt disorients you, and you never recover because the movie keeps throwing you smaller twists. In Cherry 2000 I knew the major plot points as soon as the secondary lead was introduced, and throughout the movie I generally knew what scene was going to happen next. Events and characters happen because they're what happens in this kind of movie. You could cut this movie into a Macgyver episode and hit the same points.
Overall, a missed opportunity. Also, you stick a memory chip into an abandoned robot and it powers up? Shouldn't it also need... power? Lots of hardware/software problems in this movie, is what I'm saying. It's nitpicky, sure, but those details are where the better screenplay could have come from.
