Wed Nov 05 2025 20:36 October Film Roundup:

• Hopscotch (1980): Yes, a film I saw a long time ago and forgot to review. It wasn't that memorable, to be honest. In particular I don't think I ever felt like Walter Matthau's character was in danger.
• Truck Rascals (1975): This was entertaining enough but it felt a little bit... high-budget. The fight scenes and vehicular stunts were suspiciously well-produced for what I'd assumed was a random B-movie comedy. Then I did my usual post-film investigation and found that there were ten of these movies produced by Toei and released in a four-year time span! I guess the CB radio craze made everyone a bit truck-focused in the 70s.

  Between this and Tampopo and Supermarket Woman I feel like I'm getting a glimpse at a hidden Japanese trucker culture that only shows up in movies. I don't remember any highly customized trucks or restaurant brawls from my trip to Japan, although there was a poster at a rest stop asking you not to park your compact car into a parking space intended for a bus. Exactly the sort of thing a "Compact Car Rascal" would do.

  Anyway, the movie's fun, but I don't think I could handle nine more in the series since Wikipedia says they all have the same plot. I have watched a ton of Fast and the Furious movies though, and those don't have any plot at all, so who knows?

• Joysticks (1983): Surprisingly, this 80s sex comedy about arcade games is not a good movie. The most enjoyable things about it are all bad things. Like the very first scene, where I was thinking "it doesn't look like they got a permit for this" and yes, they were just filming a movie with topless nudity in the middle of an LA street.

  Then there's the brief flight of fancy where the arcade owner (who's not sleazy enough to be funny and not emotion-y enough to be sympathetic) claims to the town worthies that his arcade is no den of sin, but a place of learning where he teaches computer science to underprivileged girls, creating new opportunities for women in STEM. The chalkboard behind him has a flowchart of the sort you'd draw if you'd looked at a book about data processing several weeks ago.

  The games themselves are filmed well, and it's pretty cool to have a tournament machine where the competitors must control a joystick that's as big as they are. But... the only joke in this supposed comedy which I would classify as "funny" is the way King Vidiot's groupies mutter the Burgertime song in unison as they shuffle around like zombies. That's, like, a Futurama-level joke.

• Paperhouse (1988): A child's magical drawing powers are rendered horrific and grotesque by the fact that kids can't draw for crap. This was a really pleasant surprise, not only in the clever concept and the Tiny Art Director-esque set and prop design, but in the screenplay's sympathy for the way everything seems emotionally huge and super important when you're a kid. Anna's dad shows up as a horrifying slasher-movie monster in the dream world, but in real life he's just a normal father who's absent and a bit distant.

  In possibly the greatest movie endorsement in cinema history, first-time actress Charlotte Burke never appeared in another film because (via the director via IMDB trivia) "she really loved Paperhouse so much, that she never wanted to do anything else and was done with acting."

• Minbo: The Gentle Art of Japanese Extortion (1992): Saw it with Sumana as part of our gradual Jūzō Itami catalog watch. This is a really didactic movie, in that it is structured to train you, a random civilian, how to deal with blustery yakuza. This means that there's a lot of wimpiness in the first part of the movie as the characters find their bearings. Eventually it picks up though and you get some good solidarity as the entire hotel staff, from the cleaning women to the Uncle Pennybags-looking chairman, stand together. Sumana posted her thoughts on the film to Metafilter.
• Tree of Life (2011): I admit I wanted to not like this movie. It's such a pretentious concept. I wouldn't have watched, except I wanted to get out of the house and that's what was playing at the museum. But... it's pretty good! I was engaged the whole time, even though most of the scenes would sound really slow if I were to describe them to you. The dinosaur scene, in particular, really moved me in a way I'm not sure how to articulate. (Not the plesiosaur scene, plesiosaurs aren't dinosaurs.) I was also getting an Omega Point vibe from the ending, which is... underutilized in film, I would say.

  I also love that they brought Douglas Trumbull out of retirement for one... more... job. Although I don't think this movie came up when I saw him in person at the ST:TMP screening in 2020. Disjunct audiences, I guess.

(1) Tue Oct 07 2025 20:44 September Film Roundup:

• A League of Their Own (1992): Forgot to review this when we watched it, and that was so long ago I don't think I can do a really detailed review. This was fun, though. Lots of star power, the look of that distinctively 1990s version of the 1940s... it's a feel-good classic! Come on, you probably watched this movie before I did, you know how it goes.
• After Hours (1985): Remember how "computer" used to be a job that people had? Well, Paul, the main character in this movie, is a word processor. You can hear him shout it near the end: "I'm just a word processor!" As such, Martin Scorsese has some pre-Wolf of Wall Street fun lovingly panning through Paul's midtown office with all of its cool 1985 technology. (I'm guessing those are dumb terminals connected to an on-site mainframe.) But then Paul decides to go out and have some nighttime fun in the Big Apple, and his trouble begins.

  Overall this was fun; I was thinking it would be a fast-paced picaresque trip through Soho, but it went slowly back and forth between just a few different locations, adding layers of complexity to the characters each time.

  I'm reminded of Very Bad Things (1998), a comedy that has a similar relentless focus on everything going wrong, which I really disliked when I saw it on a free student preview ticket. After coming out of the theater having enjoyed After Hours I wondered if I just wasn't in the mental space to enjoy a comedy as dark as Very Bad Things.

  But After Hours, although dark, isn't misanthropic. When the worst thing in this movie happens, the community rallies. When someone incorrectly thinks Paul is a burglar, the community rallies again (admittedly, by forming a lynch mob and hunting him down). It's much more positive. My point is that Very Bad Things still sucks, 27 years later. I'll never forget!

In news of TV Spotlight, Sumana and I have caught up on "For All Mankind", Ron Moore's second TV show about how you should never install the software updates. We're enjoying the alt-history even though its treatment of the Internet got really weird in the fourth season. I will say I like the "this space base is really cramped and we're starving/going crazy" setups better than the "there are a lot of people on this space base and we're causing soap opera drama for each other" setups, but they are switching back and forth between them pretty reliably as humanity expands through the solar system.

(1) Sun Sep 07 2025 09:41 August Film Roundup:

• Grosse Pointe Blank (1997): Every scene in this movie made me happy. It's not the tightest screenplay, it's got a lot of minor characters and backstory that aren't relevant to the plot, and you don't need the feds at all, but all of it is fun and I'm glad they put it in. If the screenplay was really tight it wouldn't fit the emotional mood; you'd expect something more action-forward like Die Hard.

  Old video game watch: as soon as I saw the Doom II arcade game in the convenience store I thought "this prop that had to be created specifically for the movie does not bode well for this convenience store in a film that both critiques and celebrates action-movie violence." Maybe not in those words.

• Tumbling Tumbleweeds (1935): On a slow evening I picked this movie for the obvious Lebowski connection reasons. This 61-minute film felt more like a serial than a "movie", though such distinctions were still fuzzy in 1935. Gene Autry plays a character named "Gene Autry" which I guess implies that the evil dad in this movie is his actual dad?

  I dunno. The whole thing makes very little sense, but the music was good, and in that respect it sets the tone for the entire "singing cowboy" genre. I would judge the old movie racism level in this one as medium, but I think their heart was in the right place?

Sun Aug 10 2025 11:20 July Film Roundup:

• Parade (1974): The scene: Jacques Tati is in movie jail after Playtime cost one gazillion francs, so he turns to sources of foreign funding. By this point—his final film—he's reduced to doing his nightclub act for Swedish television. There is some astonishing juggling in this movie, and some more of Tati's philosophy that we are all little kids playing dress-up and pretending through life. But as for the rest of it... "mime of sporting events" isn't even a comedy category anymore, and for good reason.
• The Phoenician Scheme (2025): Love the graphic design as always. The madcap, sketchlike quest plot keeps things moving. But in classic "Leonard goes in imagining the movie he wishes he'd made" style, the trailer made me believe that the titular scheme was to unite the greater Middle East into a recreation of the ancient Phoenician civilization, a scheme that would naturally have great-power geopolitical implications and lead to a lot of violent pushback. But actually this film takes place in an alternate universe where the Middle East has already been conveniently unified into a single* country as of the 1960s, allowing Wes Anderson to make his usual goofy Wes Anderson film without it getting all heavy and topical.
• Ocean's Eleven (2001): There is a Merry and Pippin in this movie. In fact, this movie's almost beat-for-beat the same as Logan Lucky (2017) which I saw first and like better. It's not bad by any means, just not as good as Logan Lucky.
• Superman (2025): I've remained aggressively normcore about superhero stuff even as it takes over more and more of pop culture. My takes are the most middling ones you can imagine. I liked Iron Man (2008) and then I thought the trend went out of control. I think Batman is goofy and that Batman stories should lean into the inherent goofiness. And when it comes to Superman, my tastes are simple: I want to see a powerful, well-intentioned person wrestling with the fact that enormous power and good intentions aren't enough to solve every problem. Suffice to say that this movie delivered.
• Ruggles of Red Gap (1935): Definitely not a B picture. Charles Laughton mixes a feel-good American immigrant story with a helping of humorous British culture-clash snobbery. Ruggles is a great character, someone who can deeply believe both "All men are created equal" and "Blood will tell". The book is on Project Gutenberg if you want more of that style of humor.
• Ragtag (2023): I have a fondness for films that are supercuts of clips from other films. Though it's becoming really easy to put such films together without doing any substantive creative work, so as a viewer you gotta be careful. In The Afterlight (2021) the idea was to show the same kind of scene from many different movies. Here it's more like stretching video out, playing it back and forth, turning cinema into something closer to an animated GIF.

  Also like The Afterlight, Ragtag was born of a director deciding to watch a ton of movies during lockdown. And presumably torrenting them all because how else are you going to get all that footage into Final Cut Pro? Hey, I'm not judging.

• Born Yesterday (1950): Continuing our Holliday holiday with this lighthearted tale of political corruption. I hypothesized this in an earlier review, but Holliday's character in this one is a direct antecedent to Elle in Legally Blonde: a smart person who's never had to be smart before. Really enjoyable.

Sun Jul 06 2025 09:03 June Film Roundup:

• The Solid Gold Cadillac (1956): Another film where Judy Holliday brasses her way into getting what she wants because she's worth it. Her film persona is often described as a "ditz". I haven't seen Born Yesterday, whose title implies it has something to say on the issue, but I feel like that's not quite right, or maybe the meaning of "ditz" has changed over the years.

  I feel like "ditz" implies a level of absent-mindedness, like Lucy Ricardo. But so far the distinguishing feature of Judy Holliday's characters is that they believe women are equal to men. Not in an overtly militant way, just always acting from a position of equality with all other human beings. The world throws a lot of bullshit in their path to try to dissuade them from this attitude, but they ignore or plow through it. A more recent version of this character might be Elle from Legally Blonde (2001).

  You could say that this belief is fine in 2001 but naive in 1956, and Laura in The Solid Gold Cadillac is pretty easy to manipulate, which I guess is where "ditz" comes from. But since these are feel-good comedies and not the real 1950s, Laura's stubbornness wins through and she is proven correct. So really, she has an accurate view of the universe in which she lives.

• Three Ages (1923): Sort of a proto-History of the World, Part I but I didn't like that movie very much either. Some slapstick, a couple of great stunts, a soupçon of 1920s racism. There is a laugh-out-loud joke right at the end, but does this film really need to be four reels long? You're just making more work for the preservationists, Buster.
• Full of Life (1956): We're surely going to watch every Judy Holliday movie, so this won't dissuade me, but she wasn't very wacky in this one. It turns out her all-too-brief career is not an uninterrupted streak of inspired comedy chaos, and thus this was only kinda enjoyable.

  Apparently the screenplay was toned down from something more "frank", so you're left with a kitchen-sink dramedy that's extremely tame by today's mega-frank standards. Whereas The Solid Gold Cadillac still feels fresh, and It Should Happen To You feels maybe even more transgressive than before in its portrayal of low-stakes feminine obsession.

Fri Jun 20 2025 13:41 The Coffeeshop AU: My metafictional Great Gatsby fanfic "The Coffeeshop AU" is published in Solsitita issue #3, the appropriately named "Coffeeshop!AU" issue:

"He's in love with Daisy," said Jordan, with as much certainty as if she'd added the tags and written the content note herself. "Maybe Tom," she hedged, "but Tom's an asshole. Daisy's nice enough." This belief of Jordan's — that Daisy was any less obnoxious than Tom — was the first of many alarms I missed as I dropped like a flipped coin on the unalterable trajectory of my relationship with her.

Available for cheap as an EPUB or PDF!

Thu Jun 05 2025 07:05 May Film Roundup: I've been putting off writing this for several days now, so short reviews written first thing in the morning will have to do.

• Sinners (2025): This movie has one of the best individual movie scenes I've ever seen. If you've seen it you know which scene. It's a transcendent standout in what is otherwise a pretty good monster movie. A little crowded, maybe. I liked the first half (talky setup) more than the second half (monsters) but I think that's how I feel about horror movies in general.

  Fun monsters, though. The vampires in Sinners are very zombie-ish, and seem to have some kind of hive mind, which makes them pleasingly Borg-like and also feeds into their creepy Manson Family thing.

• The Great Waldo Pepper (1975): Here's a fun trick: watch this movie and then watch The Right Stuff (1983). They're very similar movies, but film nerds still remember The Right Stuff and nobody's ever heard of this flick, even though it's a big Robert Redford action spectacular. That's because Star Wars happened in 1977 and changed moviemaking, and now nobody makes this kind of movie anymore, they only make Right Stuff-type movies. Waldo Pepper is full of amazing, ill-advised live aerial stunts that don't feel as exciting as they must have pre-Star Wars.

  Bonus: I can't think of another movie that makes you look at the title of the movie for as much screentime as this one does, because it's painted on the side of Waldo's biplane. This film is famous for coining the unforgettable catchphrase, "There's Waldo!"

• Rogue One: A Star Wars Story (2016): Speaking of Star Wars, you dig that Andor season 2? Good stuff. We did a Rogue One rewatch and it really highlights how much better Andor was than even good Star Wars movies. Rogue One feels like a rough draft now. Great art direction as always.

Sat May 03 2025 14:19 April Film Roundup:

• Johnny Dangerously (1984): The first 30 minutes of this movie are really, really funny; a nonstop gag assault in the style of Airplane!. Then the plot happens, and the comedy kind of loses momentum. It's still pretty funny though, and if you're one of the few living people who still watches old gangster movies you'll appreciate this long-overdue parody. I do think this movie would have been more successful if it had come out in the mid-1960s, but Hollywood was in one of its periodic "comedies don't need to be funny" phases.

Tue Apr 01 2025 19:02 March Film Roundup: One of those months where I realize I'd better see a movie quick if I want to have a Film Roundup, and here's the movie:

• Midnight Diner (2014): Kind of saw this one out of order. I thought the TV series came afterwards but looking at Wikipedia I see that the series and movies are intermingled. Oh well!

  Though this wasn't the only thing the movie was going for, I thought it was at its best in scenes like the opening one, achieving a cozy feeling of being in a quiet restaurant with colorful characters from different walks of life. It's a bit anthology-ish, and felt hit-and-miss in a way that I think bodes well for just watching the TV show.

Since this was a short one, I'll also mention that Sumana and I have been watching a lot of the now-on-hiatus ABC show "Holey Moley," which features a real sports anchor commentating an infernokrusher miniature golf tournament. It's a real "America: The Good Parts" kind of show: a celebration of different kinds of people with diverse skills, who can improvise in ridiculous situations and are willing to charge headlong into seemingly impossible problems. The contrast between the fine motor control necessary to sink a putt and the broad slapstick involved in running up a glycerin-soaked ramp never gets old, or at least it hasn't yet.

Sat Mar 15 2025 11:19 The Crummy.com Review of Things 2024: It took me til March, but I pulled it off this year! Here are the best media I experienced (or created) in 2024:

I'll start by tooting my own horn, because why not. I had two stories published in 2024: "Expert Witness" (A Ravy Uvana Story) in Analog and "The Blanket Thief" (cozy fantasy) in the Winter 2024 issue of Baubles From Bones. You can hear me read "Expert Witness" on the Analog podcast.

I gave a talk at PyCon US, How to maintain a popular Python library for most of your life without with burning out", and I was honored with the Python Software Foundation Community Service Award. I wrote two as-yet-unpublished stories in 2024, "A Tomorrow Problem" and "Cause of Action" (both in the Ravy Uvana universe).

Now, on to things not created by me. The Crummy.com Game of the Year is Balatro, a game that doubles down on the part of roguelikes I enjoy the most: the clever creation of wacky, game-breaking combinations from randomly presented choices. Honorable mention to Slice & Dice, the roguelike I have on my phone to stop myself from doomscrolling.

Other games of note: Animal Well and Baldur's Gate 3. I was really into BG3 and played it exclusively up until the point of my Japan trip, but when I came back the spell had been broken and I can't get back into it to finish it.

The Crummy.com Book of the Year is Between Silk and Cyanide by Leo Marks. The story of the codebreakers of Bletchley Park has been well told, but I'd never before considered the parallel story of the people creating codes for Allied intelligence to use. This memoir was a fascinating look into bureaucratic infighting; logistics nightmares; the simultaneous invention of one-time pads; and the difficulties of trying to give cryptographic training to a rotating cast of strong-willed characters who, Wikipedia will tell you, frequently do not survive the war.

I spent a lot of 2024 reading comic crime novels for research. I read a bunch of Donald Westlake's Dortmunder books (Drowned Hopes stands out but I don't recommend that as your first one), Colson Whitehead's Harlem Shuffle and Crook Manifesto, Kyril Bonfiglioli's art scam trilogy (I tried to watch Mortdecai (2015) but couldn't get through the first friggin' scene), and the first three of Sarah Caudwell's academic/lawyer murder mysteries.

Also of note: the manga Yokohama Station SF, The Kamogawa Food Detectives by Hisashi Kashiwai, old issues of the trade publication The Soda Fountain, and the really funny The Husbands by my friend Holly Gramazio.

(1) Sun Mar 09 2025 10:29 February Film Roundup:

• The Iron Sheriff (1957): Above-average western focusing on the psychological stress of being the only sheriff in town but having a major conflict of interest during an investigation. A little bit of noir and mystery in there. Good stuff.
• The Quiller Memorandum (1966): George Segal as a spy? I was dubious. But the sort of spy he plays is the kind who pretends to be a doofy backslapping George Segal American, which made for some fun interrogation scenes. Was it really an act, though? I have serious doubts about Quiller's tradecraft, like when he sets up a timed explosion without making sure he has a clear escape route. Also, I don't think he ever writes the titular memorandum.

  Great location shots of 1960s West Berlin, similar to what you see in Assignment K but in a better movie.

• Quick Change (1990): Saw this on a date with Sumana and we both loved it. Like Working Girl and Something Wild, this is one of those excellent 80s comedies that have slipped through history's cracks despite having big stars and big laughs. They could be considered rom-coms, but they don't fit the Nora Ephron formula which has persisted to the present day. And they're not designed to appeal to teenage boys who are now middle-aged, like Big Trouble in Little China or Ghostbusters. But man, this is a great movie, full of minor characters who get their time to shine. I've been seing Jason Robards a lot in his "handsome leading man" phase (A Million Clowns, Once Upon A Time In The West) and it's good to see him still getting work in his "crusty police chief" era.

  While discussing this film with Sumana afterwards I had cause to look at the Film Roundup Roundup films for 1990, and I hereby propose that Quick Change, Mo' Better Blues and Gremlins 2: The New Batch are all taking place at the same place and the same time. IMDB trivia backs me up: "The bank was located at 101 Park Avenue, just across the street from 100 Park Avenue were Gremlins 2 was filmed." Quite a busy weekend at 40th and Park!

  IMDB trivia also says that Ron Howard turned down the chance to direct because he couldn't find a character to root for in this movie. This explains Ron Howard's directorial style as much as the Ron Howard/Billy Wilder anecdote explains Billy Wilder's. PS: if you're stuck, you can always root for the punctilious bus driver. He's just trying to keep the city running!

Mon Feb 03 2025 12:05 January Film Roundup:

• Wallace & Gromit: Vengeance Most Fowl (2024): A fun movie, but I wish they'd come up with a brand new villain. Instead they brought back Feathers McGraw, who's enjoyable, but I think this trend of creative people mining their past triumphs is getting a little worrisome. If we must mine the past for Wallace & Gromit villains, why not bring back the stop-motion monstrosities from the Peter Gabriel "Sledgehammer" music video? Just throwing out ideas here.
• Thirty-Day Princess (1934): With a title like that you'd expect this to be a Lifetime original from 2015, but with a screenplay credit for Preston Sturges you'd expect it to be better than that, and it is. A Prince and the Pauper-type screwball farce with a pretty long automat scene. Cary Grant hasn't got The Voice down yet. It's all right.
• The Last Married Couple in America (1980): George Segal and Natalie Wood are always fun but this was more successful as a time capsule than as a comedy. Also, I have to point out the shadow hypothesis that this movie never dares to mention: Jeff and Mari may actually be causing their friends' marriages to break up, draining their compatibility energy to keep their own relationship afloat. I think this is a really strong possibility, given that at the end of the movie they're able to destroy another couple's marriage just by spending five minutes alone in a room with them. The power of their love vampirism can't be overstated.
• Inspector Ike (2020): A "loving parody", as they say, of 70s detective shows, which is also a decent Columbo-style mystery. I really enjoyed this because... well, it's a goofy version of Columbo. Nuff said. Can't wait for Poker Face season 2? Check this out. I do wish Aparna Nancherla had a bigger part, but it feels like a "I'll do one day of filming as a favor" kind of part.
• One, Two, Three (1961): Rewatch with James. Still a hilarious movie, an all-time great at making me laugh. Almost 20 years after we first saw this film, Scarlett's "Well, bye!" is still a common reference in our household.
• It Happened Tomorrow (1944): The strange sequel to It Happened One Night. A fun light fantasy story, with the fantasy element being slightly more fantastic than It's A Wonderful Life. I thought the most fun part of this movie was its illustration of how an artifact from the future swiftly ceases to be interesting or valuable once your timeline catches up with the time of its production. It's not from the future anymore!
• Batman Returns (1992): I wasn't expecting this, but this is way better than the 1989 Batman, and it's completely down to Danny DeVito and Michelle Pfeiffer. It's a movie all about the villains, with Batman himself being almost absent. Batman (1989) was also all about the villain, but with an annoying amount of time dedicated to Batman himself.

  The Batman Returns screenplay doesn't really need Batman at all, though the marketing surely does. This could easily be the story of Catwoman and Penguin attempting to team up and then destroying one another. When he is on screen, Michael Douglas has the same blasé attitude towards the part which he'd display (I have to admit) to greater effect in Birdman (2014).

  I didn't know Christopher Walken was in this, but he Walkens his way through this movie and it's a treat. One of the most Tim Burton-compatible actors. Speaking of Burton, I've seen enough of his movies now that certain aesthetic choices are repeating. I guess I'd classify him as a wackier version of David Lynch? He really puts his id on the screen, but not in a way that's terribly hard to figure out. Spirals and stripes; the guy loves spirals and stripes.

  And I just realized this while writing this Film Roundup: the scene in Wallace & Gromit: Vengeance Most Fowl where they're tracking the gnomes through the sewers is a clear reference to the part of Batman Returns where Batman is tracking the penguins through the city streets. The UI is the same and really, the penguins in this movie should've used the sewers. Good call, Feathers McGraw.

Sun Feb 02 2025 14:34 Beautiful Soup 4.13.0: After a beta period lasting nearly a year, I've released the biggest update to Beautiful Soup in many years. For version 4.13.0 I added type hints to the Python code, and in doing so uncovered a large number of very small inconsistencies in the code. I've fixed the inconsistencies, but the result is a larger-than-usual number of deprecations and changes that may break backwards compatibility.

The CHANGELOG for 4.13.0 is quite large so I'm writing this blog post to highlight just the most important changes, specifically the changes most likely to make you need (or want) to change your code.

Deprecations and backwards-incompatible changes

• DeprecationWarning is issued on use for every deprecated method, attribute and class from the 3.0 and 2.0 major versions of Beautiful Soup. These have been deprecated for at least ten years, but they didn't issue DeprecationWarning when you tried to use them. Now they do, and they're all going away soon.
• This version drops support for Python 3.6, which went EOL in December 2021. The minimum supported major Python version for Beautiful Soup is now Python 3.7, which went EOL in June 2023.
• The storage for a tag's attribute values now modifies incoming values to be consistent with the HTML or XML spec. This means that if you set an attribute value to a number, it will be converted to a string immediately, rather than being converted when you output the document.

  More importantly for backwards compatibility, setting an HTML attribute value to True will set the attribute's value to the appropriate string per the HTML spec. Setting an attribute value to False or None will remove the attribute value from the tag altogether, rather than (effectively, as before) setting the value to the string "False" or the string "None".

  This means that some programs that modify documents will generate different output than they would in earlier versions of Beautiful Soup, but the new documents are more likely to represent the intent behind the modifications. To give a specific example, if you have code that looks something like this:

  checkbox1['checked'] = True
  checkbox2['checked'] = False

  Then a document that used to look like this (with most browsers treating both boxes as checked):

  <input type="checkbox" checked="True"/>
  <input type="checkbox" checked="False"/>
  

  Will now look like this (with browsers treating only the first box as checked):

  <input type="checkbox" checked="checked"/>
  <input type="checkbox"/>
  

  You can get the old behavior back by instantiating a TreeBuilder with attribute_dict_class=dict, or you can customize how Beautiful Soup treats attribute values by passing in a custom subclass of dict.
• If you pass an empty list as the attribute value when searching the tree, you will now find all tags which have that attribute set to a value in the empty list--that is, you will find nothing. This is consistent with other situations where a list of acceptable values is provided. Previously, an empty list was treated the same as None and False, and you would have found the tags which did not have that attribute set at all.
• When using one of the find() methods or creating a SoupStrainer, if you specify the same attribute value in attrs and the keyword arguments, you'll end up with two different ways to match that attribute. Previously the value in keyword arguments would override the value in attrs.
• The 'html5' formatter is now much less aggressive about escaping ampersands, escaping only the ampersands considered "ambiguous" by the HTML5 spec (which is almost none of them). This is the sort of change that might break your unit test suite, but the resulting markup will be much more readable and more HTML5-ish.

  To quickly get the old behavior back, change code like this:

  tag.encode(formatter='html5')
  

  to this:

  tag.encode(formatter='html5-4.12')

  In the future, the 'html5' formatter may be become the default HTML formatter, which will change Beautiful Soup's default output. This will break a lot of test suites so it's not going to happen for a while.

New features

• The online documentation now includes full API documentation generated from Python docstrings.
• The new ElementFilter class encapsulates Beautiful Soup's rules about matching elements and deciding which parts of a document to parse. This gives you direct access to Beautiful Soup's low-level matching API. See the documentation for details.
• The new PageElement.filter() method provides a fully general way of finding elements in a Beautiful Soup parse tree. You can specify a function to iterate over the tree and an ElementFilter to determine what matches.
• The NavigableString class now has a .string property which returns the string itself. This makes it easier to iterate over a mixed list of Tag and NavigableString objects.
• Defined a new warning class, UnusualUsageWarning, which is a superclass for all of the warnings issued when Beautiful Soup notices something unusual but not guaranteed to be wrong, like markup that looks like a URL (MarkupResemblesLocatorWarning) or XML being run through an HTML parser (XMLParsedAsHTMLWarning).

  The text of these warnings has been revamped to explain in more detail what is going on, how to check if you've made a mistake, and how to make the warning go away if you are acting deliberately.

  If these warnings are interfering with your workflow, or simply annoying you, you can filter all of them by filtering UnusualUsageWarning, without worrying about losing the warnings Beautiful Soup issues when there *definitely* is a problem you need to correct, such as use of a deprecated method.

• Emit an UnusualUsageWarning if the user tries to search for an attribute called _class; they probably mean class_.

Mon Jan 20 2025 07:39: “Experience keeps a dear school, yet Fools will learn in no other.” —Benjamin Franklin

Sun Jan 19 2025 18:45 Miscellaneous 2024 Pictures: Since I went through the trouble of finding a static gallery generator for my Japan photos, I made another portfolio of miscellaneous pictures from the rest of 2024.

Enjoy glimpses of amazing things that were part of my life last year, but which I didn't necessarily take the time to write about here.

• the Rock 'N' Roll Hall of Fame
• the Andy Warhol Museum
• Storm King
• a baseball game played under Brooklyn Atlantics1864 rules
• the inaccurate geographic center of New York City
• a visit to the Kaufman Astoria Studios prop trailer
• and lots more!

(1) Sun Jan 12 2025 13:56 2024 Japan trip: I've hinted at this before in NYCB but now I've got my photos organized and I'm ready to talk about the vacation I took in Japan last November. I was nominally on vacation with my friend James, but he was working most days, so I spent a lot of time walking around exploring before meeting him for dinner, which I found to be a great way to run a vacation.

I've put up a huge photo gallery of pictures full of wacky and interesting stuff, but in case you're planning your own visit, here are some of my recommendations:

• Hibiya Park in Tokyo, where they have a replica of the Liberty Bell.
• The Meguro Parasitalogical Museum
• The playful architecture of Makoto Sei Watanabe: Aoyama Technical College, the Iidabashi subway station, and, uh, the K Museum. I knew the K Museum had been shut down, but after taking a long bus ride to see its corpse, I discovered that it was also covered in tarps and undergoing demolition. Oh well, I got to see a neighborhood of Tokyo I wouldn't have seen otherwise.
• NTT DoCoMo History Square, featuring a timeline of hundreds of old cell phones. The moment in history where the iPhone is introduced looks like the mass extinction that wiped out the Ediacaran fauna. The guy who runs the museum was really excited to have a visitor, so check this one out!
• Huge tonkatsu. It's delicious. I tried the Nagoya style but I prefer the original.
• Between Tokyo and Kyoto we spent two nights at the Kashiawaya Ryokan in Shima Onsen, a place much like the onsen town in the movie River. It was great to have some downtime after a week of running around Tokyo.
• The Kyoto Railway Museum.
• The Kyoto Museum of Crafts and Design. Don't be fooled by the size of the building; this a really small museum in the basement a convention center. Great museum, though.
• National Museum of Art in Osaka.
• The Silver Ball Planet arcade, also in Osaka. I'm sure there are bigger pinball arcades in the United States but this was the biggest one I've been in.
• The Atomic Bomb Dome in Hiroshima is rightfully famous but I was also struck by the actual hypocenter of the nuclear explosion, which just has a plaque next to a hospital and a parking garage.
• The Toyota Museum in Nagoya, which is divided into two parts: looms and cars. A must for fans of lean manufacturing!
• I don't want to contribute to Kyoto's overtourism problem, but the Fushimi Inari Shrine was amazing. I got there at 8:30 AM and it was pretty crowded already, but the further up the mountain you hike, the less crowded it is (and the more expensive the vending machine water is). I will tell you that I didn't get much out of the hike once I passed the scenic viewpoint about halfway up.
• The other huge overtouristed site in Kyoto, the Arashiyama Bamboo Forest, is... not as amazing IMO. But, on the other side of the forest is the Arashiyama Park, which is really nice.
• Why did I call it Beautiful Soup instead of Nuts DOM?
• It took some planning but I got a great view of Mt. Fuji from the shinkansen on the way back to Tokyo. It's so much bigger than anything else in the landscape that it feels like someone landed an asteroid.
• The Tokyo Printing Museum, a museum designed to showcase the wealth of Toppan, a big printing company. But it's some pretty cool wealth. In addition to lots of old-timey prints and oboks there was a really nice temporary exhibit about linotype machines, but I've got nothing but memories from that part since photos weren't allowed in the temporary exhibits.
• There are two Tokyo neighborhoods with little whale statues, and I saw both of them in the same day: 1 2

Finally I want to mention a couple stores that I didn't take pictures of. B-Side Label has cool laptop stickers. There are a few locations; I went to the one in Kyoto.

Second, New Yorkers might remember City Bakery, which sold really great pastries including the legendary pretzel croissant, plus hot chocolate which was way too rich for my taste. In 2019 City Bakery went out of business, leaving Americans croissant-less. But there are twenty City Bakery locations in Japan! We were randomly walking through a mall in Nagoya—bam! City Bakery! Heading to the Kyoto shopping district—City Bakery! They're quite a nostalgia trip, with everything looking and tasting exactly like it did the old City Bakery on 19th street, or maybe 18th, I could never remember. Anyway, that's why I've now got a freezer full of pretzel croissants from halfway across the world.

Sun Jan 05 2025 12:51 2024 Film Roundup Roundup: I saw 73 movies in 2024, and twenty were good enough to be added to Film Roundup Roundup, my ever-growing list of over 300 really good movies.

Here's my top ten for 2024. A very big year for Japanese movies, but Hundreds of Beavers takes the gold home for the U.S. of A.

1. Hundreds of Beavers (2022)
2. Supermarket Woman (1996)
3. River (2023)
4. Tokyo Olympiad (1965)
5. Slacker (1990)
6. Dance With Me (2019)
7. The Big Clock (1948)
8. A Taxing Woman (1987)
9. Something Wild (1986)
10. The Fastest Gun Alive (1956)

Fri Jan 03 2025 10:46 The Eater of Meaning is now part of the olipy family: You know that email you get when a website you like is acquired by a big company and you know it's going to get shut down? This is like that, only the website shut down first and then got merged into a bigger project.

In May 2003 I created The Eater of Meaning, a web proxy that changes the words on a web page and renders the results. It was popular for a while in the "blogosphere" and then I kind of forgot about it for 20 years, until it broke in 2024.

Throughout 2024 I got occasional emails from poets about the Eater of Meaning and could I fix it. Upon reflection I decided that while running a public web proxy on my personal website in 2003 was kind of fun, doing so in 2024 is a bad idea. So the CGI script breaking was a blessing in disguise. But I didn't want the Eater of Meaning to disappear entirely because, as I've found out, it's important to some poets' artistic practice.

So I've rewritten the Eater of Meaning code in modern Python, and added it to olipy, my pack of art supplies. With basic Python skills (or even Python package-installing skills) you can have access to just about all of the Eater of Meaning's old functionality, as well as some new eaters based on the other olipy tools. I realize that this isn't as convenient as having it as a proxy on a website, but this is the best I can do for now.

Wed Jan 01 2025 15:46 December Film Roundup:

• Leah's Perfect Gift (2024): I had a part in making this movie! It's based on Leah's Perfect Christmas by Catherine Beck, the pen name of a member of my writing group.

  Near the beginning of the film the story train is visibly shunted off the generic "Hallmark Christmas movie" setup into a story that is, at best, poking loving fun at Hallmark Christmas movies, and then it's shunted back onto the track at the end for a Hallmark Christmas movie conclusion. In the middle the movie's all right, but the book spends a lot more time on Leah's outsider's view of Christmas in a way that really rings true. Also, in the book they take the Metro North up to Connecticut rather than driving, which makes way more sense.

  The book is better, is what I'm saying. In a Film Roundup first, I will reproduce some of my old notes from the meeting of our writing group where we went over Leah's Perfect Christmas:

  Really cute, I don't have a lot to change.

  The best part was the dinner where Leah takes Gavin's bleu cheese because his mom won't make a meal accommodation, and then his mom makes a completely unnecessary meal accommodation for Maddie.

  The parents are ridiculous stereotypes, but I didn't reliably find them ridiculous to the point of satire. I'd like to see more of that.

  The main issue I felt was a kind of emotional monotony through the middle of the book. Often a rom-com has a red herring romantic partner. I would either introduce a red herring or make the Christmas experience—not necessarily the parents—less uniformly unbearable. There needs to be something to distract Leah from Gavin, because I'm not being brought through the story solely by the idea that Gavin isn't the guy he seems to be when they're in New York.

  I haven't read the final version of the book, but in the movie they chose door #2, giving Leah a variety of Christmasy side quests that let them showcase the many, many colorful sets and props available to the production.

• Beaches (1988): The chick flicks continue! On my way back from Japan I stopped in LA to see Susanna and family. She and I walked around Crystal Cove State Park, where the beach house seen in Beaches has been preserved as a miniature film museum. (According to the museum, that house was used in a lot of movies, but most of them were silent movies in the early days of Hollywood, so nobody cares anymore.)

  This reminded me that our mom loved the soundtrack to Beaches, or at least kept the tape in her car for a really long time until we knew all the songs. (Other albums I assume Mom loved from the same evidence: Neil Diamond: His 12 Greatest Hits.) So I told Susanna I'd watch the movie with Sumana when I got back.

  And... it's pretty good. The critical consensus is negative, but I thought it did a good job of showing a long-lasting friendship between two women, a friendship that is strained but never breaks. And there are a lot of good songs on that soundtrack. In the 20+ years since I last heard the Beaches soundtrack I've grown more able to recognize the musical homages going on in the songs. In particular, I correctly identified "Oh Industry" as "a Laurie Anderson thing."

And now, it's time to send off another Star Trek series with this month's Television Spotlight.

• Star Trek: Lower Decks (2020-2024): A standout of the Stream Trek era. I looked forward to every episode and thoroughly enjoyed the mixture of fan callbacks and traditional Trek stories. But there's one thing I didn't enjoy, and it's summed up by Sumana's common refrain while we were watching: "No one's making you be in Starfleet, Mariner." I griped about this in my roundup of season 1 and it never stopped being a problem. Beckett Mariner, the main character of the show, acts like a sulking draftee for nearly the entire series, even though she's a graduate of an elite military academy and a member of a post-scarcity civilization devoted entirely to personal betterment.

  She sulks on a ship whose crew starts out mediocre but improves in cohesion over time. She sulks on her punitive assignment to a crappy space station, which we later see get turned around by crew who came in with a more positive attitude. Other people improve, but she doesn't. There's a blissful couple of episodes when she actually leaves Starfleet and seems to be living the life she wants, but she comes right back. I can sorta make this make sense based on the exposition we get—mommy issues plus Dominion War PTSD, basically—but the series kept showing Mariner grow as a person, only to hit her reset button at the end of an episode or season. (Tendi did have sustained, persistent growth throughout the series, so it is possible.)

  The versions of Mariner and Boimler in the Strange New Worlds crossover were much more appealing than the cartoon versions, which probably indicates that the characters' flaws are exaggerated for comic effect vis-a-vis what they'd be like in a live-action show. But I don't find it funny to see people learn the same lessons over and over. It is a tribute to the writing of Lower Decks and the charisma of the actors that I loved the show despite this really annoying problem they never fixed.

Sun Dec 08 2024 14:19 November Film Roundup:

• The Big Clock (1948): A great thriller driven by the grey-flannel trappings of postwar America. Having the detective lead a manhunt for himself is the sort of thing that feels like it should be a really common plot twist, but I can't think of another example.
• 90 Years Old - So What? (2024): A lighthearted movie about Aiko Sato, Japan's own Andy Rooney. Saw it on a plane and enjoyed how it sped along the passage of time. I didn't know this was based on a true story until the end of the movie. It just never occurred to me. If anything, I assumed it was a vehicle for the 90-year-old lead actress, Mitsuko Kusabue.
• The Asphalt Jungle (1950): Excellent heist film which blends in some noir, in that many of the criminals meet their Hays Code-required ends due to the humanizing weaknesses that made their characters more than cardboard thugs in the first part of the movie.
• Once Upon A Time in the West (1968): I liked this movie, especially the ballsy opening that introduces stars only to kill them off, but it was so long I started falling asleep in Act 3. I think there's a good 45 minutes in the middle you could cut.
• What If Tokugawa Ieyasu Became Prime Minister? (2024): It wouldn't be good, I tell you, and neither is this movie. I wasn't really following all of the historical heroes, but I recently learned about Ryōma Sakamoto, and when one of the samurai pulled out a revolver and started shooting I thought "That's gotta be Sakamoto."

  Emblematic of the conceptual problems with this movie is a scene where it's explained that the AI-generated heroes have been programmed not to pursue their ideological clashes/historical rivalries with one another. This would basically require removing their opinions about what is best for Japan--that is, their ability to do politics. It's a technocratic fantasy that, even though it falls apart inside the movie, doesn't fall apart quickly or disastrously enough to satisfy my cranky ass. To put it in American terms, if you brought back Thomas Jefferson and FDR and Ronald Reagan to rule the country, what course of action would they agree on?

  Nonetheless, I saw this film on an airplane, so it gets my near-universal bad movie pass.

Sat Nov 02 2024 22:02 November Film Roundup: Hey, how you doing? Me? Not so good. Lots of anxiety. But one of the things that keeps me going is the pleasure of films, and the rounding up thereof, so here we go:

• Ride Lonesome (1959): Perhaps the ultimate Western title. Sometimes a man's just gotta... ride lonesome. A decent story marred by the sort of lazy Native American stereotypes that most Westerns manage to avoid.
• TiMER (2009): Gonna bring up my groundbreaking Sleepless in Seattle review once again, because TiMER takes the core concept in an interesting direction. See, what we perceive as the rules of rom-coms appear to the inhabitans of rom-coms as laws of physics. They don't make sense, but quantum mechanics doesn't make sense either. We can build technology based on quantum mechanics, and the people in TiMER build technology based on rom-com physics.

  However, I have to say those fictional people in a fictional world don't go far enough. What we see in TiMER is not technically a rom-com (it's light on the -com, among other things) but pretty close. I think we should lean more into the sci-fi premise here, because scientists in a rom-com universe wouldn't stop at inventing the TiMER. That's because the TiMER creates a wide variety of natural experiments that anyone can conduct, though any given person can only conduct one.

  The TiMER reveals a universe in which people have free will most of the time, but lose a chunk of their free will starting at midnight on the day they're destined to find their One. (I'll ignore the time zone problem here, lest a Gremlin pop out of my computer and savage me.) What's more, you have to apply an opt-in prosthetic to have your free will suppressed! If you remove your TiMER on the day when you lose your free will, you and your true love both get your free will back! Amazing! It's spooky action at a distance, scaled up to a macroscopic level!

  When discussing the film afterwards Sumana and I proposed a subreddit where people post on the day their TiMER goes off, find their One online, and then hide in bed all day. Since the process is rom-com love-at-first-sight, it requires eye contact, just like in Sleepless in Seattle. What happens when people start doing this? Does the universe perform increasingly ridiculous feats of quantum teleportation to force the lovers together? Do you end up in a Groundhog Day situation, forced to relive the day over and over until you cooperate with physics?

  Uh, the movie's pretty fun. Lots of little variations on the theme. May I recommend Brendan's 2011 review if you want a review that covers, I dunno, the plot of the movie.

• Mothra vs. Godzilla (1964): Definitely one on the goofy side, with its villainous tycoons and egg-munching reporters and kid-friendly ecological message—but also has a couple scenes of human-on-human violence which are surprisingly shocking in a kaiju movie. The big G seems more clumsy than hostile in this outing, with his tail frequently getting stuck in things and generally proving a liability.

  In a possible first, I though the human characters were more interesting than the monsters here. I was prepared to dislike the fairy twins, but I found them charming when they weren't singing. The fight scenes aren't the best because Godzilla is never matched up against a kaiju with similar powers. Mothra just swoops around his head a lot.

  I will now never forget that "たまご" means "egg" because they say it so many times in this movie.

Thu Oct 24 2024 11:02 (A) Stand-up to Protect Our Vote: This Saturday, my spouse Sumana will be performing a short comedy set as a fundraiser for the Election Protection Hotline. Donate to a good cause and enjoy some technical humor!

Thu Oct 10 2024 18:28 September Film Roundup:

• Tokyo Olympiad (1965): An incredible narrative film made from documentary footage. I did not think I would enjoy a movie about the Olympics but I saw this movie, now I'm a believer. Sumana also watched O Sport, You Are Peace! (1981) and 16 Days of Glory (1985) and I watched some of those films as well, but there's no comparison in terms of quality. Tokyo Olympiad has a continuous focus on the people at the Olympics, especially but not only the athletes. Other films document the spectacle to please the IOC and the host country; Tokyo Olympics keeps pointing out that all the spectacle is made up of individual people doing stuff.

  Incidentally, I have a strong memory of my dad taking me to watch Greg Louganis compete at the 1984 Olympics, but there's footage of this in 16 Days of Glory, and it's happening in the afternoon; I remember it being dark out. Maybe we went to the qualifying heats or something?

• Being Two Isn't Easy (1962): Kon Ichikawa impressed us so much that we decided to check out this pre-Tokyo Olympiad dramedy. Not incredible, but very enjoyable, especially the wry sense of humor they give the Look Who's Talking-esque two-year-old. The parents are believably harried, obaachan is both infuriating and sympathetic, and everyone's just doing their best.
• The Hired Hand (1971): A good, lonesome western from Hollywood's all-too-brief "give the director total creative control" period. Dramatizes the west with a complete absence of glamor, but without relying too much on shock value and violence. (There is a little, but it's not, like, Unforgiven.)

Wed Sep 04 2024 23:15 August Film Roundup: Sumana was gone for much of the month, and you know what that means: lots of movies from the 60s and 70s with below-average IMDB ratings!

• Christmas in July (1940): One for the "we can't agree on a title" files. A fun screwball comedy with twists you can see coming 1.2 miles away. At this point I can say that Preston Sturges movies just give me a good feeling. Not because they're warm and fuzzy—they tend to be the opposite—but because they posit that the human capability to fuck things up is limited, that we do good despite ourselves.
• Shack Out on 101 (1955): Like Raiders of San Joaquin, a film I chose because its title made me nostalgic for my childhood. It's got a fun Cannery Row vibe going on, and I didn't even mind the escalation into an action-ish noir movie, but my credulity was strained when basically every character in the film turned out to be a spy. It was like watching the final ending of Clue.
• The Swimmer (1968): I had heard of this movie, but suffered from a major misapprehension about the plot. I thought this guy literally swims from pool to pool, traversing underwater tunnels like in a Mario game. I'm not saying I didn't also recognize it as a highbrow metaphor for the human condition, but when Burt Lancaster got out of the pool and started walking to the next one I was drastically disappointed.

  I dunno, it's still OK. I feel like I don't encounter many movies like this, movies that are nominally mimetic but operate on a mythic or archetypal level. Most likely these movies are still around but I actively avoid them. Like, Evil Does Not Exist (2023) and The Killing of a Sacred Deer (2017) seem like they're going for a similar feel but I have no desire to see either one of those movies.

• The Facts of Life (1960): Maybe Lucille Ball will make Bob Hope seem funny, I thought. And... she kinda does? It helps that this isn't a fake-divorce film, like you'd have to make to tell this kind of story in the 1950s. It depicts real suburban desperation and genuine, Billy Wilder-approved infidelity. I never thought I'd see the day, but here's a movie where Bob Hope has some actual chemistry with his lead actress.

  Overall I didn't think this was great, but the ending was sweet. I guess what I'm saying is you take the good, you take the bad, you take them all, and... no, wait... sixty years ago we had Ball and Hope, and now... where was I going with this?

• The Bank Shot (1974): Another movie adaptation from my Donald Westlake kick, and the best I can say for this is it really shows how the adaptation of a good source material can fall short. The Hot Rock (1972) takes a lot of liberties with the book, but they're all in the service of making the story move fast enough to hit an unusual number of plot beats in a normal-length film. The Bank Shot feels like they wanted to do a different movie with the same central gimmick. (It's a great gimmick.) The scenes where they execute the gimmick are great; the others are lousy and it doesn't help that oom-pah circus music is playing during every action scene to tell you it's funny.

  The characters are unrecognizable as well (just as well that most of them are renamed from the book). The point of the book is that Dortmunder's genius at planning and staffing heists is exactly balanced out by his terrible luck. In this movie he's a super-criminal abetted by, and going up against, buffoons. They moved the setting from Long Island to LA just because it was easier to film. Not enjoyable.

  What was enjoyable was discovering, while writing this entry, that Donald Westlake wrote the screenplay for Cops and Robbers (1973)—a darkly comic heist with a great gimmick that's also a good movie.

• Salt and Pepper (1968): This movie's bad, but it does give a sense of what it would be like if they'd started making Austin Powers movies in 1968. In that respect it's sort of like Will Success Spoil Rock Hunter? from 1957—contemporaneous proof that the people who lived in a ridiculous part of the past were in on the joke. However, most of the actual jokes in this movie are not good, and the action scenes are like Austin Powers fight scenes but played straight. The best gag is near the beginning when Sammy Davis Jr. does the longest-delayed double take I think I've seen in a movie.
• Rafferty and the Gold Dust Twins (1975): Crime and grime, baby. When your response to being kidnapped is to just go with the flow, you know it's the 70s. Less watchable than The Bank Shot but has more indie cred. Looking up this movie after watching it, I saw that star Alan Arkin directed Little Murders, another "who cares, I'm already dead inside" movie. He also played the title character in Simon (1980). The guy had some issues, is what I'm insinuating.
• The Questor Tapes (1974): As soon as I saw "teleplay by Gene Roddenberry" on this pilot-cum-made-for-TV-movie, I knew it was only a matter of time before Majel Barrett showed up. (It was about 45 seconds.) But what I didn't expect was seeing a whole dry run for Star Trek: The Next Generation. Others have mentioned that Robert Foxworth's Questor is a prototype of Data, down to really specific 1st-season-of-TNG stuff like the "fully functional" gag. What I haven't seen others mention is that The Questor Tapes also prototypes the Data/Geordi relationship, with Jerry as Questor's friend/maintenance guy.

  And man, this movie has Gene Roddenberry humanism sermonizing like nobody's business. "An insane creator? Good thing humans don't have an insane creator! How horrible that would be!" (Not a direct quote.) I would not watch this if it had been picked up as a series, but as a time capsule showing an early draft of one of my favorite things, I loved it.

  PS: Ol' Gene reuses the Vulcan nerve pinch in this one. It's a low-violence way to put your enemies out of action—perfect for network TV!

• One Cut of the Dead (2017): I enjoyed this, but not as much as I was expecting. The recent Japanese mini-trend of long-take movies like this, River, Beyond the Infinite Two Minutes, etc. is very heartening. It's a genre of film that requires a lot of skill but very little money. However, this one was a bit disappointing because the description of the movie you see on IMDB and whatnot is actually a description of the movie-within-a-movie (True Fear) you see in act 1. There are definitely twists in act 3 that recontextualize True Fear, but... there are no actual zombies in this film. Sorry. It's just a triumph-of-the-human-spirit kind of thing.

  If there was some way to skip act 2 altogether I'd be more sanguine about recommending this film. It kind of drags, but you can't just cut it, because it's setting up all the character development for act 3.

Sun Aug 11 2024 15:56 July Film Roundup: Pressed for time this month so I'm just gonna write some quick reviews and head off to resume my apparently busy life.

• Seven Samurai (1954): I know I said no more Kurosawa films that take place before the Meiji Restoration, but I really needed to get out of the house for a day, so I saw this at Film Forum. It's good. I'm always apprehensive about sitting down for a three-hour movie, but due to selection bias they have a pretty good track record. The only super-long movie I've actually bailed out on was Reds (1981).

  Reading IMDB trivia about the different drafts this screenplay went through was comforting to me, as I go through my own creative struggles. Adding the wacky peasant-pretending-to-be-a-samurai was a good decision.

• Slacker (1990): A hell of a movie. Really impressive how it's able to keep its conceit going the whole time. Sumana proposed this one and I was skeptical, mainly because of the title, but it turns out the movie originally had a super-pretentious title and the studio made Richard Linklater change it. Speaking of which, that guy really loves his walk-and-talks, huh? Great dialogue, stylized but still seeming naturalistic.

  Now that I think of it, you could film an X-Files episode entirely running in the background of this movie. Many of the characters have a "wacky but sinister X-Files side character" feel. I guess that really was the vibe of the 90s.

  Since Slacker and X-Files now have me in the conspiracy mindset, time for me to share one of my patented cinematic conspiracy theories with you. I believe Richard Linklater has been secretly working on a film since 1990, with the cast and crew sworn to secrecy, to be released only after he dies.

• Noises Off (1992) - A fun farce with a tacked-on framing device we moviegoers probably didn't need. While planning this Film Roundup I kept thinking Steve Martin was in this, that's how fun it is. I don't even know what role I was mentally casting Steve Martin in. Maybe Christopher Reeve?

  Anyway, fun movie, especially if you like the Goes Wrong Show type of chaos. Probably not as fun as the original play, but the great thing about movies is you can now watch them anytime, without spending thousands of dollars to stage a new production.

• Inside Out 2 (2024) - I dunno. I read an article that framed this movie as specifically being about anxiety, and I guess through that lens it's a good guide for teens and their parents to get real about important topics. But I watched the whole movie, not just the anxiety part, and there's a lot that didn't work for me.

  Rather than harp on this, I want to present another crackpot cinematic theory, this time about an earlier draft of the Inside Out 2 screenplay. I believe that the new emotions introduced by Riley's puberty were originally intended as warped versions of the original five Inside Out emotions, rather than brand new characters. Disgust→Envy, Fear→Embarrassment, Sadness→Ennui, Anger→Anxiety. This plan fell apart when it became clear that the warped version of Joy could only be Horniness, and nobody wants that.

• It Happened To Jane (1959): One of the most generic movie titles ever, just below It Happened One Night and It. What happened to Jane, you ask? Fortunately, there's a song at the beginning of the movie that... no, the song explains nothing! Jane falls in love, okay? With young puppy-dog lawyer Jack Lemmon, no less. What a catch!

  I don't have a way to quantify this, but my gut says that older comedies like this have more stuff than modern ones. This movie has detailed technical subplots about running a mail-order business, the legal system, small town democracy, and railroad freight logistics; on top of the usual rom-com antics about mercenary journalists and sex segregation of lobsters. Also a song about the Cub Scouts, which has lyrics written by the director and which I must assume was included as some sort of residuals scam. I wouldn't say all of this comes together in a cohesive whole, but it definitely all happened to Jane.

• Supermarket Woman (1996) - We loved this story of user research and continuous incremental improvement. The best film of the month, I think. Showing recurring interactions with the same customers over time was a neat trick to kind of create recurring guest stars in a movie. Also did a great job showing the clash between craftspeople, who want to do the best job possible, and people trying to run a damn store, who need to give the people what they want at the cheapest price.

  Japanese question: the owner of the rival supermarket Discount Demon is referred to by the feudal title "daimyo". I am pretty sure this is a joke, but what kind of joke is it? Is Discount Demon doing a kind of Medieval Times thing, what with the old-timey demon mascot and the military-style discipline? Is this guy just really egotistical?

  PS: I think the supermarket shootout in Hot Fuzz was inspired by the chase scene in Supermarket Woman.

• A Taxing Woman (1987) - She's back! This is the point where we realized that Juzo Itami and Nobuko Miyamoto have a Joel Coen/Frances McDormand type of relationship. Not as joyous as Supermarket Woman but a fun crime drama, sort of a tax fraud Columbo. We do plan to see all of Itami's films eventually, or at least I do.

  Old video game watch: there's some classic (I must assume) MSX non-game software on display in the love hotel, but the real prize is the scene where Itakura sees the villain's son playing Super Mario Bros. on the family Famicom computer. There's no generic Atari beeps or disinclination to show anything but the back of the TV, the way there would be in an American movie of the period. It's shot very naturally, and when Itakura takes over, she's realistically good at the game!

  Capcom released a visual novel of A Taxing Woman for Famicom, making this the only movie I'm aware of that had a video game adaptation published on a game system also seen in use in the movie. This probably happens all the time now, but the closest I can come to another example is the Wii adaptation of Iron Man (2008). Tony Stark has a Wii in his modernist house, but you don't ever see him flinging around the Wiimote playing Twilight Princess.

• My Cousin Vinny (1992): This film is often praised by those in the legal profession. I guess that makes sense because there's no villain, the things happening in the courtroom are all things that happen in real courtrooms, and it flatters the legal mind by depicting the justice system as actually seeking justice. Unfortunately, as a non-lawyer, I must say there is a huge problem with this movie, and it's the titular Vinny.

  I mean, do you want this guy as your lawyer? I seriously thought the second-act twist was that oops, Vinny actually isn't a lawyer. He failed the bar again, he's been lying to his family for months, and now he's in over his head. There's a recurring cycle early in the movie where Vinny gets humiliated in court, over and over again, seemingly learning nothing. Not only does it feel like he didn't go to law school, it feels like he's never seen a courtroom drama. If you cut all but one of these cycles, and skipped quickly to the part where he starts interviewing witnesses, I'd be a lot more sympathetic to the movie.

• The Art of War (2000): Sumana saw this in the theater, way back when, and remembered it as being full of bad computer stuff. But like with Antitrust (2001), the perspective of years shows that the computer stuff, though hardly prophetic, isn't that bad. When it is bad, it's because the filmmakers came up with a bunch of roundabout hacker/spy crap instead of, I dunno, figuring out how to dramatize the use of PGP. It's pretty simple, guys: just show a "Decrypting..." status bar.

  The Wesley Snipes action is fun, and this film has the same outsized impression of the UN's influence that you find in much earlier films like A Global Affair (1964). I don't think I recommend this, exactly, but you could do worse.

  One of the first films that needs to manufacture a cell phone malfunction for the plot to work out.