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October Film Roundup:

Stress Response: As promised, the November/December issue of Analog includes "Stress Response", a Ravy Uvana story in which Judicant Uvana helps a young human who went into space believing it would be a big, fun adventure... and who still believes that at the end of the story! Have fun!

The big change I made after my writing group critiqued "Stress Response" was explicitly explaining why the stress response happened; no one got it and without that crucial piece of information the story feels like watching someone else's vacation slides. Many, many times my writing group has told me "Leonard, you need to explicitly explain the thing instead of expecting us to figure it out."

Two more stories of mine are coming up in Analog: "Meat", the first Ravy Uvana story I ever wrote; and "Race to the Bottom", a flash piece that explains why everything is so terrible. Both coming out next year, I guess? I've deposited the checks!

[No comments] ████: Like today's algorithmic creativity tools, many NaNoGenMo projects take as their grist the results of other peoples' creativity and hard work: years, even centuries of work. My own In Dialogue and Amazon Prime are manipulations of public domain texts, and for Alphabetical Order and Brutus and Cassius, at the close of the scene I took the entire English literary canon as my input. Linked By Love mined thousands of books for their back cover copy—by far the most difficult part of the book to write. For 2022, I've created a NaNoGenMo work that reuses no one's text but my own.

████ is a blackout piece made from the text of my unpublished novel, Mine. I've redacted every word that shows up in one of my two published novels, Constellation Games and Situation Normal. You'll see lots of names, places, technical terms, odd digressions on Cleopatra and zucchini, punctuation, and (I assume) typoes. That's it.

This is an appropriate source text since Mine is a story about people preserved as the things around them are erased, and then juxtaposed without context. But really, I could tell you it was about anything and you'd have to believe me... for now.


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