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Mon Sep 03 2018 00:07 August Film Roundup:
- Filmworker (2017): A chilling film about suppressing your own personality to merge with a collective intelligence. I'm not universally opposed to merging with a collective intelligence, in a sense we all do this, but I do think there needs to be a little give and take. It really seems like Stanley Kubrick used Leon Vitali as an offboard brain, in a way that goes beyond how most personal assistants are treated, and although Vitali doesn't seem to mind, some artful omissions (there's an obvious person who doesn't show up in Filmworker) make me think it hurt the people close to him.
- Won't You Be My Neighbor? (2018): I've mentioned before that I didn't grow up with Mr. Rogers, but I
guess Sumana caught me up to speed pretty quickly because there wasn't
much new to me in this documentary. It covers most of the
greatest hits, apart from Rogers's testimony in favor of VCR time-shifting, which
I guess normal people don't consider a "greatest hit".
The main food for thought I found was someone's claim that we're afraid of how common Fred Rogers-style courage and decency is. It's the flip side of the banality of evil. If we build up Mr. Rogers as a huge outlier, we don't have to think about where we come up short.
- The Way Things Go (1987): A.k.a. "Der Lauf der Dinge".
A Rube Goldberg art film, another high-concept genre that's been replaced by a type of YouTube video. It's super creative, with a
lot of the physical humor you get from a Road Runner cartoon or an OK
Go music video... yeah, I'm just comparing it to other kinds of videos. There's a lot of bits here based on fire and chemical reactions, which those other videos tend not to try.
Perhaps the ultimate West German film, in that it's precisely engineered but it's filmed in this dingy warehouse and everything's filthy. Very enjoyable.
- your name. (2016): A.k.a. "Kimi no na wa." This had a dorky twist previously seen in a bad Deep Space Nine episode, but when the twist arrived I was so into the
story that I didn't care. A compelling plot, lots of good
character moments, beautiful animation. I especially loved the bit
near the beginning where the two characters are figuring out the rules
of the game, as it were.
I'm sure this happens in anime all the time, but this was the first time I'd seen mojibake as a plot element.
- Cielo (2017): After seeing the original Godzilla at the museum in 2014 I was annoyed to overhear someone talking about how the Godzilla suit effect wasn't as good as King Kong (presumably the 1933 stop-motion one). There, I thought, goes one person who did not leave the theater totally mystified and overwhelmed by Godzilla's invincibility. I mean, maybe the rubber suit is better, maybe not, but if that's how you're evaluating Godzilla I'm not sure you were fully exposed to the emotional sandblasting that film provides.
This went into my secret file of "stories too petty to tell in Film Roundup", but recently I saw Cielo at Film Forum and after the movie I sat to collect my thoughts, which were dominated by people in the back complaining about the recently renovated seats. It made me think of the Godzilla thing. You paid to watch a documentary about the wonders of the cosmos, a movie with some pretty incredible time-lapse night sky photography. Do you not have the emotional space to talk about that with your friends, and you're complaining about the seats as a defense mechanism?
I realize that complaining about your fellow theater-goers is about as bad as complaining about the seating, so no more of that. Cielo was not the best space movie I've ever seen, but the photography was beautiful and the interviews with the folks who live under that sky were interesting. The new seats are fine.
- Matewan (1987): A thrilling true-story Western about union organizing. I never heard of writer/director John Sayles before; turns out he's an unusually socially-conscious graduate of the Roger Corman School of Cheap-Ass Filmmaking. I'm interested in seeing more of his stuff.
- Intolerable Cruelty (2003): The Coens made a rom-com just for men, which was... a losing proposition, box-office wise. It's a fun movie but it's got a lot of problems. Sumana: "There's some good banter but it's not, like, Lady Eve level."
Another example: the pacing is weird. It would be normal thriller pacing if Catherine Zeta-Jones was the main character, but from the perspective of the George Clooney character the movie grinds occasionally as it switches gears.
Like I said, it is fun but it's on the lower end of the Coen output for sure. It's funnier than Burn After Reading, but BAR is a better movie.