News You Can Bruise for 2019 July 1

• Booksmart (2019): We were pre-sold on this by the screenplay credit for Sarah Haskins, who did a hilarious regular segment called "Target Women" about ten years ago. Booksmart is really funny, but it's also got a dramatic arc that you don't see very often. I'll go into more detail at the end of this review, but I do think you should see this movie and that it's more fun to see this character arc happen than to read about it.

  This film reminded us of Brick, another very stylish movie that shows high school through the subjective experience of the students. Maybe you don't think this movie is stylish, but it totally is: every character has a carefully maintained self-image that's within their budget and the movie's budget. It's just that most of the characters are also huge dorks.

  Judging from the street address, one of the party houses is just down the block from one of the places I lived in LA as a kid. The neighborhood really has changed.

  OK, here's what I mean about the character arc. At first it seems like Booksmart has cookie-cutter high school movie villains. Then it turns out that no, this is like Clueless and there is no villain. Then, no, this is like Inside Out and the protagonist is the villain. Then, no, there really was no villain, these are all just teenagers making teenager mistakes.

• Face/Off (1997): Sometimes people say a movie is "so bad it's good". I've said it myself, and I generally mean a bad movie was also entertaining. Face/Off is more complicated: it's a movie that's bad and good simultaneously and for the same reasons. Casting the oddest actors of '90s Hollywood in both lead roles? Seems like a bad idea! But Face/Off turns it into an advantage by making Travolta and Cage effectively play each other's stock characters. Whenever either one of them is on screen (the entire movie, effectively), you get the ACTING power of both.

  Face/Off doesn't just do a good job of recreating a bad movie—Mars Attacks! tried that, and the resulting movie was simply bad. It mixes up the ingredients of a bad movie in an inventive way, creating something special. Like a Five Obstructions kind of deal.

• Born Bone Born (2018): That's the correct English name of this movie and I have the ticket stub to prove it. IMDB has the wrong title (Bone Born Bone). The name sure is confusing, though the ending sorta gives you a mnemonic. It's not a literal translation, which means they could have eliminated all possibility of confusion with a super-verbose title like "Mom Died, But We'll See Her Again At The Family Reunion? Two Worlds Meet On Okinawa!"

  Anyhow, this is a really excellent family dramedy that got much bigger theater laughs than a family dramedy usually does. It's got fun characters, great timing, and it does a good job of putting the audience in the anxious ready-to-laugh state with its up-front treatment of death.

• Set It Off (1996): This had been on my list for a while and it was nice to see it on the big screen with Sumana. I came in expecting an Oceans-style heist, but I got a quality modern noir. The Thelma and Louise-esque authority figure is a little more bearable than in Thelma and Louise, but who goes to these movies to watch the cop?

Addendum: After last month's The Bit Player experiment, I've found that Film Roundup is the best place to list interesting films that I can't put on a wishlist because they're not yet products you can wishlist. This month's entry: Dance with Me, the tragedy (?) of a woman who's cursed to live in a musical. It's showing at the Japan Cuts festival later this month, but I was slow on the draw and all the tickets sold out. We'll see it later... and I'll see you later!