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Sun Apr 07 2019 17:26 March Film Roundup:
- Heaven Can Wait (1978): I saw this a couple months ago but forgot to review it. I remembered it when Sumana mentioned the admiral in Mary Poppins who fires a cannon from the top of his house every day. The millionaire in this movie has his servants fire a cannon every day! Is this a common thing? Is this why rich peoples' houses are spaced so far apart? Or maybe there was one obnoxious dude in Beverly Hills who did this and a lot of movies from the 60s and 70s are mocking him.
Moving on to the film itself: Elaine May's screenplay is really funny and misanthropic, except the last act, which seems written by someone who's a lot less funny and doesn't hate humanity at all. Thus, I left the theater disappointed and in a mood to forget that I'd ever seen this movie. There is a character in the last act who randomly drops dead just so the plot can work out, and I admit that is both funny and misanthropic, but not the kind I want to support with my ticket purchase. But up to, I'm gonna say, the 100 minute mark (the length of a normal, sensible movie), Heaven Can Wait is a great comedy.
- Captain Marvel (2019): Another month, another Marvel movie. I really liked seeing 90s LA—a little bit of home! And I know just enough about Marvel canon (from reading She-Hulk) to appreciate the little twist. Downsides: although this is a space opera Marvel movie it focuses entirely on the parts of that toolkit I don't care about: the galactic empires with their huge cities and clashing militaries. Are these the same people who dragged down Guardians of the Galaxy? (Answer after checking wiki: they are one such group of people. Geez.) Bring back garbage planet! (In fairness, there is a garbage planet here: the Earth.)
Near the end, when the villain... well, he's not 'the' villain, he's pretty minor, sort of an Assistant Undersecretary for Villainry, but real annoying. He's trying to taunt Carol into hand-to-hand combat, clearly setting up an Indiana Jones moment where she bypasses the fight scene by zapping him with her superpowers. The taunting goes on for a while, and before long I was pounding my fists on the theater armrests quietly chanting "Zap! Zap! Zap!" She does zap him eventually and it's cathartic. Anyway, I offer "Zap! Zap! Zap!" as an all-purpose attempt to fast-forward a narrative to its inevitable conclusion. Hasn't worked yet, though.
- Wings of Desire (1987): I was skeptical about this one, and saw it for two reasons: 1) Sumana wanted to see it, 2) Peter Falk. I'm glad I saw it. It's moving, humane, thought-provoking, beautifully shot, Peter Falk is a perfect choice. I don't have a lot to say because (as I feared) this film doesn't have a whole lot of plot. But I loved it anyhow; that's how good this is.
- Some Like It Hot (1959): This was my third viewing, the first on the big screen, and just to get it out of the way, this movie is funny as heck. Okay? That's a given. Top tier comedy. Big recommendation.
Now, I want to discuss two other facets of this movie: one good and one bad. The good is that this movie shows a character discovering their queerness and struggling to understand it, and the attitude of this 1959 Hollywood movie is total acceptance. I won't presume to try to fit Jack Lemmon's character's journey into modern categories, but it's clearly different from what Tony Curtis's character goes through, and Some Like It Hot is 100% sympathetic to it. The last time I saw this, I hadn't seen enough other old movies to realize how unusual this is.
The bad: the gangsters. Compared to the rest of the movie, the gangster plot is sloppy and lazy. The gangsters provide the thanatos that you want in a Wilder movie, but it's not well integrated. Just feels like a bunch of stereotypes and coincidences and references to other movies now forgotten. I'd like to see an edit that loses the gangsters after the speakeasy scene, but I don't know if you could do it without new footage.
- Us (2019): This had a ton of cool ideas, but I'm feeling some regression to the mean after the all-around fave Get Out. This was less science-fictional and more like a normal horror movie, with all the fridge logic that implies. I admit I don't watch a lot of normal horror movies so I don't know whether certain things are innovative here. Like, I have the feeling that a lot of horror movies take place over one night and end with the sunrise. Whereas in this movie, when the sun comes up it's just an act break and a change to a different horror subgenre. There's also some Edgar Wright type stuff where horror is filmed as though it were comedy; that's probably pretty common? Overall this was decent, but my "seeing it live in a theater" experience was nowhere near what I got out of Get Out.