July Film Roundup

(1) Fri Aug 14 2020 13:48 July Film Roundup:

As countries I don't live in get the coronavirus under control, National Theatre and the weird musical channel have both died down, so our household is back to watching movies. Also I've been real busy with work and the Situation Normal proofread, so this Roundup goes well into August. Any concerns? Let me direct you to this humorous painted-script sign I have hanging on my wall: "My Blog, My Rules!" Now, if you'll excuse me, I need to go "Live, Laugh, Love!"

Joseph And The Amazing Technicolor Dreamcoat (1999) - Back in May I said I regretted missing it the first time it was made available through Youtube, so all I can say now is the grass is always greener. Jesus Christ Superstar is way better. There are some good anachronistic gags here, but I think a lot of the enjoyment of this musical comes from nostalgic memories of the high school production where you played Asher and the butler.
Amadeus (2017) - We loved this INCREDIBLY FICTIONALIZED story of someone with way more taste than talent. I gotta stress this is FICTIONALIZED, based on romantic myths about Mozart and his death, and apparently none of it happened this way. But what an archetype is created in this play. Great to watch.
Reading about this afterwards I'm glad I saw the play instead of the movie, because the movie introduces a bunch of additional plot elements that doesn't really matter. It won Best Picture, so I guess they know what they're doing?
Psych 2: Lassie Come Home (2020): Fun for Psych fans, no reason to watch the movie otherwise. Except: let's say one of the actors in your ensemble cast suffers a stroke after the TV show has wrapped. The easy path would be to write them out of the made-for-streaming sequel movies, or else bring in someone else to play the character. Instead, Psych 2 is a film entirely about the character's stroke and its aftermath. This is another way in which Psych feels more like the product of a close-knit team than other shows. Another way is the constant in-joking and bringing back characters who died in season 4, which I'm kind of tired of.
Christmas in Connecticut (1945): Apparently this film made boffo box office because it was released three days before V-J day. When everyone wanted to celebrate by going to the movies, this is the movie there was to see. Barbara Stanwyck is fun as always, and the scamtastic setup is fun, but the male lead is kinda Zeppo-ish and for the sake of variety I was rooting for the coded-gay architect who's just looking for a beard. (She picks Zeppo.) There was also a little subplot about hostility between different waves of American immigrants which I thought was interesting but didn't go anywhere.
This could definitely be remade as a Hallmark Christmas movie -- look at the super-white title! -- and in fact it was remade in 1992. Today it would be about an Instagram influencer, I guess.
The Bride Walks Out (1936): Stanwyck-mania continues! Not a great film, although it kind of feels like a trial run for I Love Lucy: wacky neighbors, wife wants to work outside the home. Zeppo would be an improvement over the guy in this movie; he seems to actually dislike his wife and think of her as a burden. So why bother? Maybe it made more sense under Depression-era gender roles. Actually you know what this really reminds me of is Fig Leaves (1926), with the modelling wife and the misogynistic business partner.
Some good one-liners and a surprising amount of unnecessary vaudeville schtick. It's always fun to see a dramatization of the office in New York's City Hall where Sumana and I got our license.
Door Ke Darshan (2020): An uninspiring Bollywood remake of one of our favorite films, Good Bye, Lenin! (2003) Not just another film with the same idea--they clearly copied some of the shots, reminding us of how powerful/funny those shots were in the original and how they're not those things here. The setup here is totally implausible, which primes us for comedy much wackier than is appropriate to the story. And we don't even get the wacky comedy! Despite the superior videography capabilities of 2019 India vis-a-vis 1989 East Germany, the characters in this movie are only able to muster one fake broadcast.
Rather than go on and on I'll present you with the result of our post-movie fix-it discussion: you can make an Indian version of Good Bye, Lenin!, but it needs to be set in 1947, with Mom a big booster of the Raj. Not in the cards for a low-budget picture like this.
During the fix-it discussion we were brainstorming other big world events that could provide the backdrop for a similar movie.
S: She could be in a coma through the Russian Revolution.
L: Yeah, call it Hello, Lenin!

I'm here all week! Because I can't go anywhere and there's nowhere to go!

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