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Sun May 31 2020 18:09 May Film Roundup:
- Frankenstein (2011): We were not big fans. We saw the version with Benedict Cumberbatch as the creature and Jonny Lee Miller as the doctor, rather than vice versa. I don't think it would have made a big difference because my problems were with the super-unsubtle script. Some nice bits of staging... and some super-unsubtle bits of staging. Not subtle, I guess I'm saying.
- By Jeeves (2001): In conversation afterwards, Wodehouse superfan Elisa revealed she'd seen the original London run of Jeeves in 1975. She spun a fantastic tale of the play having originally featured a heavy Roderick Spode fascism subplot, a tale backed up by the Youtube link she sent me of S P O D E, Andrew Lloyd Webber's "Tomorrow Belongs to Me."
That show sounds really interesting but it was a flop, so Webber eventually reworked it into this simpler, fluffier, lower-budget piece with a really awkward framing device. Still kinda funny though. Sumana and I thought Wooster was depicted as way too stupid (and uncharacteristically aware of his own stupidity), and Jeeves as way too snarky, but Elisa says that's in line with the earlier stories, before Wodehouse had a handle on the characters.
Hard for me to complain about the slow start because Webber himself defused the criticism in a wrap-up video where he smiles warmly and thanks the fans for watching all his plays, "even By Jeeves—slow start, I know."
- Antony and Cleopatra (2018): Not much fun apart from the mental pleasure of decoding 500-year-old jokes.
- Moon Zero Two (1969): Rewatch of the MST3K cut during the MST3K LIVE Social Distancing Riff-Along Special with Emily Marsh in the big chair. I really enjoy the underlying movie (it's stupid, but its decent budget gives it a lot of fun sci-fi set dressing), and it was nice to see a good print of it rather than the much-circulated VHS tape I remember watching.
- A Doll's House: this one fell flat for us; not sure how much of the problem is with the original vs. the changes made for the adaptation. Some good Hitchcock-esque suspense with the letter.
- Barber Shop Chronicles (2018): A great play: a convoluted plot that turns out to involve just a few simple human relationships. Big recommendation.
- Cats (1998): I confounded expectations by loving this play. It was exactly as good as Cats. I'm not going to see it again and again, though.
It's hard to beat the book here: the poems are really enjoyable. The staging puts the cats at around Fantastic Mr. Fox on the anthropomorphic animal twee-meter, which is right where I like it. I've never been a huge fan of "Memory", the show's hit single, and next to all the Eliot it really felt out of place, like a practice song for Phantom.
The enjoyability of Cats didn't mean we spared it our acid riffing. Our best one: as the rest of the cast takes their bows, someone busts on stage singing ♬ I'm Chumbyfate, the cat who's always late! ♬
- This House (2013): Engrossing political dramedy with an incredible soundtrack and staging. Probably our favorite of the National Theatre set so far. We started out thinking the play might be entirely fictional; then the wealth of detail convinced us it was probably somewhat historical; then I looked it up afterwards and not only did all the big plot beats happen, all the people portrayed in This House are real people who now have OBEs and Wikipedia pages. Another big recommendation... and since this is the most recent National Theatre production to go online you can still watch it, assuming you reliably read Film Roundup right when I publish it.