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Thu Apr 01 2021 17:24 March Film Roundup: '80s Mo......nth?:
- Private Benjamin (1980): One of those unassuming gems that hides in cinema history waiting to pounce on people doing these constrained watching exercises. This is a series of comedy sketches that combine to form a plot that ranges far and wide, extending both before and after the boot-camp sequence we were expecting.
I never heard of Private Benjamin before '80s Month, but it was a deserved hit and started a mini-fad. Turns out that Stripes (1981) is a Private Benjamin copycat: what if men joined the Army? Between this and Nine To Five I feel like 1980 was the high water mark of a Women's Lib trend in women-led comedies that receded until the 2010s.
- Loophole (1981): The only big 1981 film that appealed was Time Bandits, which I couldn't find as a rental. So we rolled the dice on a British heist movie, and those usually reliable dice came up "rather" and "disappointing".
It's always fun when a square with professional qualifications (here Martin Sheen as an architect) gets roped into a heist, but this is ultimately a feature-length dramatization of the "one chalk mark" joke. And the "loophole" isn't a loophole at all.
Sumana zeroed in on the potential: Loophole feels like a war movie, showing the camaraderie of men from different backgrounds isolated from their families, looking out for each other and working towards a common goal. In addition, there is a very exciting climax which would be the ideal place for a double-cross or heist-within-the-heist, maybe employing (just spitballing here) an actual loophole in something. But we just cut away from the climax and the film ended after a short denouement.
In a final indignity, the subtitles for the version we watched were generated by a neural net that had been trained on American TV news. It was not remotely up to the task and gave the impression that 1980s British criminals had words like "Obama" and "podcast" in their vocabulary.