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Mon Jan 02 2023 15:53 December Film Roundup:
- Paddington 2 (2017): Watched based on an in-movie recommendation in The Unbearable Weight of Massive Talent. It's fine. Fun kids movie.
- Moonstruck (1987): More fallout from Massive Talent, though this time taking the form of "I've been wanting to watch that Nicolas Cage movie." A rom-com from before the formula was fixed in the 90s, with a tighter focus on the other family members and a little less on the main couple. In fact my favorite part of Moonstruck was the interlocking stories it told of different romances in different stages of life. Olympia Dukakis is great in this, and John Mahoney is a pleasant surprise.
There's always a sacrificial or decoy boyfriend in these movies, and I always feel bad for the guy. The most pitiful victim of this trope is Bill Pullman's character in Sleepless in Seattle, whose disqualifying problem is serious allergies. The guy has trouble sleeping! He's practically your title character!
- Glass Onion (2022): A fun addition to the franchise. The setting was a lot less interesting than the cool old house in Knives Out, but the obnoxious douchebags were a lot more colorful and fun.
- A Christmas Movie Christmas (2019): A big missed opportunity. Sometimes when I can see a better movie conceptually near the less-good one that got made, it's understandable what happened: the better movie would have cost a lot more or taken longer to shoot or required better actors. But a Christmas romance parody doesn't need a bunch of expensive Zucker and Zucker one-off gags. You could shoot it in the same time and budget as a regular Christmas romance, with the same equipment and sets and actors. The magic is all in the screenplay.
This screenplay starts off really promising, but it loses its way quickly and we just get a cornier than usual Christmas romance with an extra dose of creepiness. That was possibly a commentary on Christmas romance movie creepiness, but it's hard to say for sure--again, a screenplay problem. The good news is that the space of concepts used in Christmas romances inhabits a vague public domain, so nothing's stopping people from ripping off this idea and doing five new Christmas romance parodies every year until someone gets it right... and then ripping it off ten times a year.
- Made in Heaven (1952): We watched this after Sumana's Wikipedia browsing turned up the old British "flitch of bacon" tradition/incentive for marital harmony. Like a lot of old British traditions, the flitch trial fell into disuse until it was revived in a Victorian-era work of fiction, and like a lot of old British movies, this is a cheesy farce where people scheme about cheating on their partners and evading postwar rationing. Everyone in this movie is stupid, and the higher-status they are, the stupider. As opposed to the Ealing comedies where everyone is smart but the high-status people are too smart for their own good. Recommended, but only in hopes that a better, modern comedy will be produced to take its place as the champion of bacon rom-coms.
- Here Comes Mr. Jordan (1941): Yes indeed, here he comes, played by Claude Rains. This was based on the same play that became Heaven Can Wait (it also has a sequel and a second 2001 remake with Chris Rock). It's a cool concept but how many of these do we need? I'm concerned that we're about due for another one.
Admittedly, in 1977 I would have said "Do we really need to go here again?" and then the Elaine May/Warren Beatty version would have blown me away. I feel like the characterization of the trainer is done better in the 1941 version, but the most crucial dramatic issue--a character dropping dead in the final act for no good reason--is handled even worse here. A reason is given for the death, a reason that really ought to result in significant changes to everyone's behavior, but nope, everyone just ignores it. It's like they noticed the problem in the screenplay and patched it with duct tape. Anyway, this was fun for its genteel 1940s approach to death, but I'm on team Elaine May 4 life.