News You Can Bruise for 2012 May 1

I do believe it's time for a super dark relationship chapter. That's what I believed when I wrote this, anyway. Clearly I was eager to keep landing the body blows on Ariel after chapter 22.

It's always sadder when characters bring about their own destruction than when someone else screws them over. In the second draft this episode was a little less of a downer, because while Ariel was living in coffee shop exile he had a great idea for a mobile app he could write very quickly and sell to recoup some of his losses from the last chapter. So all the awful stuff between him and Dana and Jenny still happened, but at least we ended on a positive note. Who needs that, right? Just hang tough.

I cut out the "mobile app" subplot because it added a lot of story complexity for no real benefit. Ariel's already working on a software project, so why add another one? He puts out a press release for it next chapter, but I just turned it into a press release for the Sayable Spice: Earth Remix demo. Works fine.

I'll talk about the proposed app after the miscellaneous commentary, because this week's is a little light and next week's will probably be huge. (Spoiler: Tetsuo comes to Earth.)

Oh, and here's last week's Twitter archive.

• Not really happy with the chapter title. I like the joke, but it barely fits the events of the chapter.
• "They make cradles in all sizes." is probably my favorite Jenny line in the book. Jenny's comedy is more context-dependent than Ariel's or Tetsuo's. Like, I think her most memorable line is (are you sitting down?): "Wastebasket."
• The scene with Dana went back and forth between being "real life" and being a blog post. This meant that Dana went back and forth between being "Dana" and being "Svetlana", and she and Ariel went from frankly discussing what happened in chapter 22 to maintaining the fiction that there was a fire. Except I forgot to change that last one back. So Dana still says "lost in the fire." I caught this very late in the publishing process and asked Kate to fix it by putting "fire" in scare quotes.

  The blog post portion got truncated to what Ariel writes in the coffee shop afterwards. For the third draft I decided he's smart enough at this point not to air his dirty laundry with Jenny on his blog.

• I coulda turned the business AI trojan into a whole separate story, but it's just a little bit of exposition showing Dana Light's odd view of what constitutes "human behavior". That's life... a-life, that is!
• No one [told me they] noticed the reference to the Slow People in Her's chapter 21 monologue. Which is good, I didn't want you to notice it. I think if you did, you'd stumble in your reading and it would wreck the scene. I want it to be a situation where you go back and find it later and it BLOWS YOUR MIND, MAN.

  Originally that was the book's first mention of Slow People, but that's no good, so I backdated the subplot where Krakowski asks Ariel to listen for word of them.

  You'll find out who the Slow People are soon enough, I got other plot threads I gotta take care of.

Okay, about that mobile app. One thing that barely shows up in Constellation Games, but was very important in "Vanilla", is the contact audit. To sponsor an ET for an American visa (as Ariel did for Curic and Bai is now doing for Tetsuo), you need to register with the BEA as a contactee. You're supposed to do the same if you have any prolonged or repeated contact with ETs, although the Greenland Treaty is quickly making that unenforcable.

All registered contactees need to come in to their local field office twice a year for a sit-down interview about all the ETs they've encountered over the past six months. It's generally a formality; the point is to make contact with ETs a pain in the ass and, on the margin, discourage people from having anything to do with the Constellation.

Ariel's mobile app idea was a "contact manager", a way of taking the pain out of your contact audit. Whenever you meet an ET you just take a picture of them—something you were going to do anyway—and enter their name. Then your contact audit is effectively just a slideshow.

In the second draft, Ariel's key business insight was that although relatively few people really need this app, a lot of people want to be the sort of person who needs it, so they'd buy it aspirationally. Clever idea, but not really necessary for the story, so out it went.

That's all I got. Tune in next week for the TETSUOUS continuation, in which Ariel will say "Jesus Christ the great moral teacher!"

Image credits: Tim Patterson, Doug Kline.

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