News You Can Bruise for 2012 May 8

Tetsuo's back, and he brought exposition! This week we take a break from beating up Ariel, and just startle him a lot while he's high.

This week's Twitter feed is almost entirely devoted to Tetsuo's first day on Earth. Today also marks the start of the Great Microblog Bonus Content Migration. Prior to this point, Ariel's feed was where it was at. But Ariel's now too busy to tweet a lot, and he'll stay busy until the end of the book. Tetsuo's feed will be picking up the slack, chronicling his adventures on Earth and showing what the other characters are doing as the focus of the novel tightens around Ariel. If you're following Ariel but not Tetsuo, this is the week to get on the Tetsuo Train (patent pending).

(NB. I won't be setting a Twitter profile image for Tetsuo because the default image is a much better depiction of him than anything I could come up with.)

Speaking of Twitter feeds, here's last week's. And before we get started, some extratextual comments:

Now that the paperback is out, you can get it from your regular source for paperbacks: Barnes and Noble or Amazon, or order it from a bookstore through Ingram, or is there any chance a bookstore might proactively stock it based on the radioactively glowing Publishers Weekly review? I wouldn't depend on it, but that would be nice. Note that the paperback is the only thing you can get from your usual source—bonuses are only available from the C&G store, and the ebook edition won't be out until serialization wraps up at the end of July.

I'm not sure when people who are getting bonus stories and USB keys will be receiving them, so lemme just tell you this now. For our mutual peace of mind, I ask that you hold off reading those stories until you finish the novel. "Dana no Chousen" takes place after the novel; "Found Objects" casually blows two of the Part Three reveals; and "The Time Somn Died" is, in my opinion, actually incomprehensible unless you've read the whole book and know a lot more about Ashley and the Constellation than you do now.

You can read "Pey Shkoy Benefits Humans" anytime, even though it "takes place" after the novel. It's got basic spoilers like "Tetsuo still teaches at UT Austin", but guess what, I just spoiled you on that.

Finally, an obligatory reminder: although has been an instance where the week's chapter didn't show up in the web archive, the emails are consistently sent out every week, and if you didn't get a chapter it's almost certainly in your spam folder.

Now on to real commentary. I wrote the contact event as a positive catastrophe, a shocking world-changing event out of nowhere which is absolutely wonderful. These days a catastrophe leaves a maelstrom of frantic Internet communication in its wake, a stew of information and guesses and wishful thinking and propaganda that slowly settle into an agreed-upon set of facts and opinions and crackpot theories.

This process has been happening in the background throughout the novel. You've only seen glimpses of it (the bits that Ariel contributes), but it's very important, because that's how I've been controlling the flow of the worldbuilding: flooding the zone with misinformation and letting the truth precipitate out when I'm ready to use it dramatically.

There must be CDBOEGOACC games about Ragtime and the Slow People. But I can't tell you all this stuff at once. There'd be no space for a story. My Creative License-ish solution is there's lots of information about this stuff once you know where to look, but no human consensus about what information is accurate. It's a mess of half-assed opinions mixed up with misinformation and conspiracy theory, with no way of judging the truth of the matter. (Bai will complain about this next week.)

It was easy to control the flow of information early in the novel, when I had the world's governments working on my behalf. In "Found Objects" Jenny has a hard time getting some basic information, because that story takes place during chapter 5. But with the Greenland Treaty in effect, the half-life of secrets has declined dramatically, and the worldbuilding is starting to flood the story.

But I still have control over one thing. Ariel is the narrator. There are secrets he has to keep, details he considers unimportant, and one thing he just doesn't want to tell you. Eventually he'll figure out the central mystery of the book, and he won't tell you that either. (Don't worry, I won't leave you hanging.) With Tetsuo blabbing all the stuff the Constellation played down in the first half of the book, Ariel's scheming and obstinacy and fear of embarrassment are my secret weapons for maintaining a relatively even pacing.

That was the big-think piece, now for the misc:

• One of the big reasons I rewrote the press release, instead of cutting it along with the rest of the contact manager subplot, is it's the first explicit statement of what all the ETs with Greenland Treaty visas are doing on Earth. They're copying stuff. The way Curic scanned Ariel's college notebooks, and the way all the Ip Shkoy computer games and hardware were put into the CDBOEGOACC.
• I love the press release's self-loathing and final descent into madness, and how easy it is for Dana to "fix" it. That's basically what I'd write if I had to write a press release.
• I don't think "you fucking chiselers" fits terribly well (it's left over from the "contact manager" app, which cost $0.99), but it was a darling I couldn't bear to kill.
• Thanks to A.K., registered medical marijuana patient, for coming up with the brand name of Jenny's pot. The legalization of marijuana in this universe was established back in chapter 6. Completists will also want to check the microblog archive for chapter 8.
• You got that Tetsuo doesn't buy Ariel's story about the house fire, right? But he's not pushing it. Good, we're on the same page. Also, you got the "little computer people" reference, yeah? I knew I could count on you.
• I had a definite personality in mind for Tetsuo on Earth, around humans other than Ariel: the elderly European professor in a 1930s movie who flirts shamelessly with every woman he sees under the understanding that nothing will come of it. Like if Bela Lugosi's Dracula wasn't a vampire, just a really suave guy.

  As you'll soon see in Tetsuo's Twitter feed, the "nothing will come of it" understanding does not hold for Alien women.

  

• Even in the near future, I don't think a consumer phone-camera would be sensitive enough to make possible the constellation-recognizing app Ariel uses here. It's a cool idea, though. All it takes is a little... Creative License.
• We get our first gameplay glimpse of Temple Sphere. Longtime readers may remember (but readers who just picked up the paperback are more likely to remember) that Ariel reviewed Quexx, TS's game-within-a-game, way back in chapter 2. The prequel Ariel worked on is Recoil, which also showed up in chapter 2, as the game that made Smoke-Cursive-Cytoplasm-Snakebite-Singsong-Polychromatic suspicious of Ariel. It's the Marathon to TS's Halo.

  In the second draft this was the first scene that really made use of Ariel's prior work for Reflex Games. Reflex becomes very important as early as next week, so I went back and backfilled it a bit, notably by adding the scene at the Reflex office in chapter 5.

• The handheld computer on the cover of Constellation Games is a replica of one owned by Dieue the Four-Fisted. You can see his name on the back cover, written in solder. If you get "Pey Shkoy Benefits Humans" you'll be able to transliterate all the script on the cover—it's either words that show up in the book (like "Dieue"), or it's English written in Pey Shkoy script.
• As a bonus for commentary readers, I'm telling you straight up that you're not going to get a lot more solid information about Ragtime than you get in Tetsuo's initial description here. A lot of mysteries will be resolved by the end of the book, but not this one. I do have an explanation for the mystery, and if I write a sequel it'll probably go in there.

  Because I don't explain the mystery, my whole writing group said I should cut Ragtime from the novel. Fools! The mystery is what's important. But for some reason readers didn't see it that way.

  So: after selling the book I wrote a new scene, the final Ariel/Tetsuo scene. That scene will call back to this chapter's conversation under the night sky, how Ariel freaked out about Ragtime and how Tetsuo reacted. If I've done my job, that scene will change the way you look at Tetsuo. Look for it!

The beefiest commentary yet? I'm not going back to check. Instead I'm looking forward, to next week, when Tetsuo will say, "What were you smoking? Perhaps it was crack!"

Image credits: Tim Patterson, Matt Lancashire, Mark, Doug Kline.

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